Lamb of God
Tue Apr.25, 2006
LAMB OF GOD have set "Sacrament" as the title
of their highly anticipated album release, due late Summer 2006 via Epic
Records.
The group has been unusually tight lipped about the new recording,
turning down all but a select few in-studio and pre-studio interviews.
No listening sessions, demo recordings or audio samples have been
granted or released.
News from March 2nd notes that the band had once again tapped friend
and producer Machine ('Ashes of the Wake') to handle the production
duties for "Sacrament".
At that time drummer Chris Adler had the following to say:
"Everyone wants to know what the new material is like or have us
compare it to something. It's tough to do because when your proud of
something you want to say it's better than something else or that it's
more of this or that. I don't want to do that - every LAMB OF GOD album
has been a snapshot in time, a puzzle that spelled out who we are as
individual musicians and as a band.
They each represent a certain amount of experience and ability - and
without saying more, we now have more of both of those than ever. We
have continued to raise the bar for ourselves in every aspect of what we
do, and we are expecting more of ourselves than ever heading into this.
We're looking forward to tracking and releasing this intense and very
heavy release."
LAMB OF GOD is scheduled to set out on the Unholy Alliance Tour with
Slayer, Children of Bodom and Mastodon beginning on June 6. The final
dates including additional headlining concerts can be found at http://www.lamb-of-god.com.
*****
The roots of Lamb of God were planted in 1990 when Mark Morton, Chris
Adler and John Campbell were floor mates at Virginia Commonwealth
University. The trio began playing at Adler's house in Richmond
weathering chilly conditions.
"There was no heat at the house," recalls Campbell. "We would freeze
our asses off, get really drunk and hang around the kerosene heaters
trying to write metal songs.
Kerosene fumes and Black Label beer were definitely what fueled our
early days."
After graduation, Morton moved to Chicago to pursue a master's
degree, but the band continued. A new guitarist, Abe Spear, replaced
Morton as the band retired its instrumental sound and added Blythe on
vocals.
The quartet, known then as Burn the Priest, became a fixture in the
tightly-knit Richmond music scene. To compete with the high-level of
musicianship displayed by their contemporaries, the band adopted a rigid
practice schedule. "To this day, we practice five days a week out of
necessity," says Campbell.
"The bands in Richmond can flat outplay you and if you don't
practice, they will blow you off the stage. Bands like Breadwinner and
Slanglouse - two local math-metal bands - could play an insanely
complicated music note perfect. They inspired us to raise the bar
musically and taught us the work ethic we needed to be a success."
The band was playing around Virginia when Morton moved back from
Chicago and re-joined the group. Soon after, Burn the Priest released a
self titled full length album on Legion Records. Abe left soon after,
which opened a spot for guitarist, and brother to Chris - Willie Adler.
A year after the second Adler joined, Burn the Priest changed its
name to Lamb of God and signed a record deal with Prosthetic Records.
The band's independent-debut, New American Gospel, was released in 2000.
"This album was all about creating a rhythmic and pummeling musical
landscape with riff after riff," explains Morton.
Two years of extensive touring to support the album raised Lamb of
God's profile before the band released the critically acclaimed, As The
Palaces Burn (2003). ATPB won record of the year honors in such notable
Magazines as Revolver and Metal Hammer while garnering mainstream press
in Rolling Stone and Entertainment Weekly.
The band hit the road again and began headlining tours before signing
with Epic Records. In the fall of 2003 Lamb of God was a co-headliner on
the first ever MTV's Headbanger's Ball Tour which elevated Lamb of God's
profile beyond the underground.
As it entered the studio to record Ashes of the Wake, the band
released Terror and Hubris, a DVD featuring live performances, videos
for "Ruin" and "Black Label" and behind-the-scenes footage highlighting
the work ethic, humility and sense of humor of one of the most respected
and influential bands around today.
The DVD proved to be a commercial success as it entered the Billboard
Music DVD Charts at #32. After writing and recording three independent
releases at a deliberate pace, Lamb of God was shocked to finish its
major-label debut, Ashes of the Wake, in just five months. The
Virginia-based progressive metal quintet agrees this is its most natural
sounding album.
"During the 10 years we've been playing together, this band has never
stopped pushing the boundaries of what a metal band is supposed to sound
like," says drummer Chris Adler. "With this record we allowed our
instincts and experience to shape each song as a piece of the larger
picture. We let the songs dictate their own direction instead of pushing
individual agendas."
Lamb of God was not only a headlining act on the Second Stage at
Ozzfest 2004 this summer but their first single, "Laid to Rest," from
Ashes of the Wake also appears - in demo form - on the Ozzfest 2004
Sampler. The songwriting process for 'Laid to Rest,' illustrates Lamb of
God's accelerated creative process for their new CD Ashes of the Wake.
"This song came together so quickly it gave us chills," recalls Chris
Adler. "Let me put it this way, it can take up to a year for the entire
band to agree that a song is finished, but it only took two days for
everyone to put their stamp of approval on 'Laid to Rest.' We couldn't
believe it then, or now.
Lamb of God does not create the typical "heavy metal"
verse/chorus/verse/chorus/solo/outro type of music. The songs are
diverse, progressive and intelligent. Songs like the instrumental "Ashes
of the Wake" show how wide a net of influence and ability Lamb of God
are able to cast. Keeping "a musician's band" aura and credibility and
headlining countless sold out shows are two things that don't often run
together. Lamb of God is an anomaly to the system.
"We play music that straddles the line between progressive and
traditional rock," explains Campbell. "I think we make progressive-rock
more listenable without cheapening the progressiveness of it. The
complexity of our music appeals to people who like technical playing,
but the arrangements are not so extreme that they fly over the average
listener's head. It's a good balance."
The political angst that fueled the lyrics on "As The Palaces Burn"
continues unabated on Ashes of the Wake. However, Blythe admits that his
plans to write songs about personal responsibility quickly changed.
"Mark and I write most of the lyrics together, and at the start of
this album we agreed that we wanted to concentrate on internal instead
of external politics," he explains. "But as we got into it, considering
the condition of the world today, we felt obligated as responsible
artists to give accurate social commentary, and that meant writing a few
indictments against the powers that be."
Mixing a call to arms with a sneering disdain for the White House's
current occupant balances Ashes of the Wake. "In the end, I think the
album is stronger because we show the relation between internal and
external politics instead of just focusing on one or the other," Blythe
says.
"These songs are a reality check for everyone because they rail
against a wrong-headed government and against the apathetic people that
ignore the government and allow it to exist."
Ashes of the Wake captures Lamb of God taking comfort in musical
risks. "We'll always be a thrash metal band," explains Morton, "but I'm
interested in exploring what we can get away with within the boundaries
of the genre."
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