International Book Fair and award committees
This
week, we devote this column to look at our own International Book Fair
and adjunct activities including judgment of best literary awards.
The International Book Fair will be held at the BMICH from September
19 to September 27. This is perhaps the biggest book fair attracting a
large number of Sri Lankan and foreign publishers under one roof. It is
also a meeting place for book-fans from various parts of the country as
well as from several parts of the globe.
What comes to my mind here is that some of the largest book fairs in
the world, for example, the Frankfurt Book Fair (FFB) is the biggest
professional platform worldwide for international book business and the
place for you to make successful contacts. As a part of the FFB, every
year in an informal setting, Business Breakfasts introduce important
publishing markets to visitors from all over the world. In addition, the
organizers arrange a seminar program. In the seminar programmes, the
industry professionals share their knowledge; provide insights and
understanding for the diverse areas of rights business and the marketing
opportunities of the future.
In this regard, our Book Fair has a long march to compete and it is
another story.
Given the large number of Sri Lankan publishers and book stores
present at this annual Mecca of book publishers and book-fans,
International Book Fair is an important event in the literary calendar
of the country.
It is pertinent here to contemplate whether the literary surge that
comes with the book fair is artificial and lasting only for a couple of
days or would it contribute in the long run, to the creation of a
vibrant literary culture in our country? Although Sri Lanka boasts of a
higher literacy rate in the region, most of the publications including
newspapers, books, and even literary works seem to be of inferior
quality in terms of language and content. Unfortunately this negative
trend is apparently replicating in Sri Lankan English literary circles.
Obviously, the benchmark for publications should be set by Awards which
would indirectly encourage higher quality books and literary works in
terms of language and content. What about setting up professional
platforms and seminar series, sharing knowledge to encourage new and
young entreasures?
Gangsters
Looking at the composition of the award committees including the
award committee for "Golden Book", it seems that most of the personnel,
who make up of one award committee, are strangely happened to be in
another award committee. The selection criteria also seem to be
mysterious and non transparent. The question that often arises is
whether these Award Committees are able to justify their selections if
readers question about the quality of language and the content of the
books. Some of the award committee members who have drawn from fields
other than literature and apparently have little to do with literature,
have readily accepted the positions in award committees, perhaps,
reasons best known to them! Others though they have experience in the
field of literature, are, it seems, out of touch with latest literary
trends. Knowledge of latest literary trends is a sine qua non for award
Committee members, particularly in determining the merits and the
demerits of the product (novel) chosen for evaluation. Unfortunately,
the same group of personalities of dubious reputation continues to
occupy the chairs in award committees for literature. They also review
tele-dramas for awards. The award committees are marked for their
absence of gender balance. Some of the award committee members prompted
by fame and name, had launched canvassing campaign through their
students or abusing their position of authority.
Women representation in those committees seems to be nil. Given the
socio-economic changes that have been taken place over the years, there
are a lot of new comers, including a large number of women writers in
the field.
Therefore, in my view, it is imperative to have women's perspective
in almost every sphere of activities and this is applicable to
literature as well.
Privileged class
As in any other fields, there is a group of privileged writers and
poets. A significant aspect of members of this privileged club is that
they seem to have obtained a kind of entitlement to awards. If these
writers pen a book, their creations are automatically selected for
awards irrespective of quality and content of the works. In other words,
their creations are automatically earmarked for awards.
Contrary to the popular belief, they (creations) are, in fact,
inferior in terms of quality and content. This privileged club is common
to both Sinhala and English medium writers. One poet of Haiku fame
recently launched an anthology of poetry purportedly claiming that the
anthology contains poem in Haiku form. However, it seems that the poems
in the anthology are like strewn haystack intended only for buffalows. A
dramatist, who is famous for inserting utter filth into the works under
the blanket of poetic license, has won an award for his latest scripts
for dramas. Given the dramatist's dubious previous track records in the
field, one may arrive at the conclusion that both the award committee
and dramatist entertain the notion that either the filth is classical
literature or classical literature is filth. The question to ask is on
what basis (standard) such work has been evaluated. In a recent
interview, our own international literary guru Professor Wimal
Dissanayake with a radiant literary profile in several spheres of
literature recently highlighted a pertinent point: "...we must also pay
due attention to the question of standards. What is very badly needed
today in the field of Sinhala literature is the establishment of
standards.
Proverbial literary clowns
A proverbial literary clown, who guides a principle literary group,
has been churning out creations which neither reflects the milieu nor
the men and women living in it. Given the inferior quality of the
creations by the literary clown and most of the recent awardees of the
'Ungracious Award', it seems the future of the Sri Lankan literature in
English is rather bleak.
Immediate remedial actions have not been taken to arrest the present
negative literary trend, if Sri Lankan authors in English intend to tap
international market and to make Sri Lankan literature in English widely
read beyond our limited shores.
Meditating author
It may be quite possible to have authors with eccentric behaviours
and such authors had, in fact, been walking on the earth in flesh and
blood. However, it is quite strange to have a meditating author or one
who is publicly pronounced one' piety in terms of attire. The book by
the meditating author is themed on delirious thoughts and reflects, by
and large, the state of mind of the author. The meditating author is,
among other things, enjoying a sizable congregation of disciples some of
them happened to be in award committees. There is a popular yarn
associated with the author in our recent folklore. It says that the
author comes by a lorry to award ceremonies to take home host of awards.
Wijewardene Award
However, it should be mentioned here that D.R Wijewardene Memorial
Award throughout the years has maintained a higher degree of
transparency and integrity.
The awards are given purely on the basis of merits of the works. If
there is any influence, it may be personal biases on the part of the
members of the award committee. As the international book fair is around
the corner, readers should bear in mind that they should browse a book,
at least, twice, before purchasing without being lured by superficial
badges of awards bestowed upon the literary artefact!
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