Koreyanu cinemawa saha Kim Ki-dukge Cinema Rupa
This book is about Korean cinema. The first half of the book has been
dedicated to discuss the history of Korean cinema, where the book gives
a general background about Korean cinema from 1903 up to 1980. In
chapter one the author has discussed - how motion picture arrived in
colonized Korea (the origin); The exhibition of moving pictures and the
advent of Korean cinema (such as Park Jung -hyun's interference by
making The story of *Jang -hwa*and *Hong Ryeon* in 1924) ; Japanese
colonial period and heyday of silent films; conflict between colonialism
and nationalism; Motion picture and film censorship regulation; 'Arirang'
and national cinema;
The KAPE cinema movement and left wing films; The sound film and
militarism; The first Korean sound film (The Story of Chun- 'hyang' in
1930); The motion picture law; Liberation and the Korean war as a one of
the main components of Korean cinema; Policies to promote the film
industry after the Koran war; The Korean cinema renaissance in 1960's;
The authoritarian period and depression of the film industry; The
formation of the teen audience for high teen films.
The second half of the book presents a detailed analysis of modern
Korean cinema since 1980s up to now. It includes the following essays:
The pressure group of Korean cinema; Liberation of production and
foreign film imports; Film education in Korea (such as The Korean
Academy of Film Art); The beginning of Hollywood direct distribution and
resistance; The small-scale theatre culture and the popularization of
videos; The new Korean cinema movement;
The development of alternative and independents films; Changes in the
Korean film industry after direct distribution; The advent of Korean new
wave (along with Park Kwang-su); Sopyonje, Im Kwon-taek and the revival
of nationalism (in 1993); Art film exhibition: from videoteques to Art
film theatre; Defend the screen quota system; The enactment of the film
promotion law and the launch of the Korean film council; The growth and
outlook of Korea cinema since 1996 (growth in quantity and growth in
quality); The launch of film festivals (such as Pusan, Puchon, Jeonju,
Seoul etc); Multiplex theatre system.
The third half of the book includes an in-depth critical analysis on
Kim Ki-duk's film language which will focus on: The biography of Kim
Ki-duk; His way of using of film language; Avant-garde attribution of
Kim Ki-duk in making films; Analytical essays on films text of Kim Ki-
such as Bad guy, Spring, Summer, Fall, Winter... and Spring, Samaritan
Girl and 3-Iron.
The author is Sanjeewa Pushpakumara.
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