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Loveliness of ceramics

A Grecien Urn

Jasperware

Meissen

The term ‘ceramic’ comes from the Greek word “keromos” which really means ‘earthenware’. When man became civilised he wanted to have nice things in life. He first took a ball of earth, shaped it like a pot and fired it at low heat. This was perhaps the original rounded container used for domestic purposes. Then the introduction of the ‘potter’s wheel’ and the creativity of the potter influenced the making of nicer utensils from fired clay.

A Meissen tea set

Ceramic tiles of Alhambra Palace

The Egyptians, Greeks and Babylonions made attractive red and black pottery. Their knowledge spread to Rome and China. The Chinese produced the real porcelain, opaque and unique. The finished products were translucent and delicate. They were glazed, ornamented and even enriched with gold and platinum. Brilliant figuriness like the Chinese Buddha, the fisherman, the concubine and the war-lord are treasured pieces of art.

The Greeks were famous for their ceramic urns while Spanish pottery was decorated with mythological and Biblical scenes. A frenchman who established a factory in the 17th century introduced embellishments like scrolls, lace-work and motifs on his products. It was light and glossy porcelain. Cretan vases were decorated with black and brown sea-weed and octopus motifs. Persian pottery had glorious star and cross-shaped fragment decorations in various colours. They had glazed tiles in their mansions. Indeed the Alhambra Palace in Granada has fantastic enamelled brick and terracotta ornamentation.

Later the Europeans learnt the method of ceramic making. Germany is famous for its ‘Meissen’ curios while Holland’s (Dutch) artisans created lovely ‘Delph-ware’ ornaments like the Dutch girl and boy, the little house with chimney and small windows and exquisitely beautiful replicas of the Dutch clogs. Dutch pottery with opaque white glaze had enchanting details in blue of tulips, the windmill and the dyke out-lined in gold.

In the 18th century Josiah Wedgewood mass-produced tableware but his work was not considered much. Then he fashioned some light green and blue ‘jasper-ware’ with opaque quartz. The domestic articles he created were so refined that Queen Charlotte of England and the Russian Empress Catherine commissioned him to supply ‘Queensware’ for the palace. Another skilful person introduced ‘bone china’ ware used in all parts of the world.

Today we have imposing “art nou-veau” tableware in leaf, flower, unusual shapes, some encased in filigree or ornamented with gemstones.Anyway the porcelain and ceramics, aged and antiquated with time retain their own, special creative loveliness.

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