Visakha - an epitome of womanhood
by Premasara EPASINGHE
In Buddhist literature, Mahamaya (mother), Prajapati Gothami
(step-mother) and Yasodhara (wife), the relatives of the greatest son of
India, Prince Siddhartha Gautama Buddha, occupy, pride of place among
womanhood.
Among the female benefactresses of Buddhism, the noble Visakha plays
an important role. In her Samsaric journey, she accumulated much merit
and was born to rich nobility during Gautama Buddha's time.
Visakha was undoubtedly an epitome of womanhood. Her life is a
perfect example and a role-model for our womenfolk. Therefore, an
indepth study of Visakha's exemplary life and disciplined moral
character will be a valuable guidance to the Buddhist womenfolk, even
today.
Due to her past meritorious acts, she was born rich. She was
pleasant, beautiful and possessed a charming personality. She became a
chief benefactress of Buddha. She was extremely intelligent and attained
the first of the four stages, sotapanna at the tender age of seven
years.
Yathapi puppharasimha
Kayira malagune bahu
Evain jatena maccena
Kattabbain kusalain bahum
- Dhammapada Verse 53 (Puppha Vagga - Flowers)
(As from a heap of flowers many a garland is made, even so, many good
deeds should be done by one born a mortal).
Past aspiration
The above stanza or verse in the Treasury of Truth Dhammapada uttered
by the Blessed One was woven round Visakha, the chief benefactress of
Gautama Buddha. She erected a monastery named Pubbarama or Purvarama. So
great was her delight, with her 10 sons and 10 daughters and her
grandchildren, Visakha went round the monastery singing paeans or song
of praise of joy. When this was reported to the Buddha, He said that
Visakha was doing so as she had fulfilled a past aspiration.
She was a charming, pleasant and majestic lady. On the day of her
marriage, her father, a multi-millionaire presented her a
Meghapalandanawa, a beautiful ornament or necklace, studded with
diamonds and gold to wear on the important day of the wedding. Later,
she wore it on important occasions. Before entering the Chambers of the
Blessed One, with a retinue of 500 ladies, as a mark of respect to
Gautama Buddha, she removed the bejewelled ornament worth about Rs. 8
billion and handed it over to her domestic, who accompanied her.
One day, the domestic forgot to take back the ornament, (Meghapalandanawa)
placed at the temple premises where the Blessed One resided. Ven. Ananda
Thera on seeing the valuable ornament, decided to present it to Visakha,
on the following day, when she visited the Buddha. When, Ven. Ananda
Thera handed back to Visakha the Meghapalandanawa. Vishaka returned it
to Ven. Ananda Thera. She decided to sell it by auction and as there
were no buyers she bought it.
No buyers
There were no buyers to purchase Visakha's Meghapalandanawa as it was
valued at more than Rs. 8 billion. Visakha purchased her own ornament
and later she constructed the Pubbarama or Purvarama and presented it to
Gautama Buddha. It was so beautiful, and resembles a heavenly abode.
Visakha was a daughter of a multi-millionaire, one of the richest
individuals residing at Bhaddhiya, in the City of Saketha, namely
Dhananjaya. His wife was Sumanadevi and granddaughter of Mendaka, one of
the five wealthy men of King Bimbisara's Kingdom.
When Visakha was seven years the Buddha visited Bhaddiya. On that
occasion, Mendaka took Visakha and her five-hundred female companions
with him to pay homage to the Enlightened One.
After listening to a sermon delivered by the Buddha, Visakha, her
grandfather and her five-hundred companions attained Sotapanna, -
"Stream enterer", the first stages toward the realisation of liberation,
leading to Arahantship. Arahants are no longer subject to re-birth in
Samsara, the cycle of birth and death.
Visakha was a Panchakalyani. The blue - blooded, rich damsel Visakha
during her childhood used to participate in competitive swimming meets.
Once there was a gala swimming meet in Bandiya in the City of Saketha.
Many tourists and a number of scholars, Brahmins and diplomats witnessed
the swimming competition. There were eight emissaries of the King of
Majedha as special guests. They were present to select a beautiful girl
to partner one of the richest young men called Purnawardhana.
Prior to the commencement of the swimming meet, the girl competitors
started running hither and thither and entered the pavilion. But, there
was one pretty girl like a divine damsel,who never got excited and ran
away.
Unperturbed, she walked without excitement. The Brahmins were
impressed with her cool temperament, and manners. They proposed the rich
"Situ" - Purnayawardhana in marriage to her.
Visakha, told the Brahmins that they should discuss the matter with
her parents and if they are agreeable only that she would give her
consent.
Wedding arranged
Everything went well. The Brahmins won the day. The wedding between
Purnawardhana and Visakha was the most glamorous event of the year. The
King, his Ministers, the royalty and VIPs of the city attended the
wedding. Visakha's parents gave a big dowry, which included 1,000
chariots, 1,000 elephants and 1,000 horses, 1,000 male domestics, 1,000
female domestics and a million Kahavanu.
Visakha's father Dhananjaya advised her to look after her
father-in-law, mother-in-law and domestics with a kind and compassionate
heart.
One day when Visakha's father-in-law Migara was partaking his meals
(lunch), a Bhikkhu on his normal round of begging for alms, arrived at
their beautiful mansion. She knew that her father-in-law Migara, a
believer of Jainism, did not encourage giving alms to Bhikkhus.
Visakha on seeing the Bhikkhu said "I am sorry, Venerable Sir, my
father-in-law only eats leftovers.
(Puranayak Anubawa - Karanawa - Purana means leftovers).
On hearing this Migara lost his temper and flew into a rage. He asked
her to leave the house. But Visakha said she was not going away and she
would send for the eight elderly rich Brahmins who were sent by her
father to accompany her and to advise her. It was for them to decide
whether she was guilty or not.
Elders decide
The elders decided that Visakha was not guilty. Visakha said that she
had absolute and unshakable faith in the teachings of the Buddha, and so
would not stay where the Bhikkhus were not welcome, and that if she was
not given permission to invite the Bhikkus to the house to offer dana -
alms and other offerings, she would leave the house.
Migara was very upset over the incident and realised his grave
mistake. He apologised to Visakha and granted permission to invite the
Blessed One and the Bhikkhus to their mansion. The following day, the
Buddha and His disciples were invited to Visakha's house for alms. She
sent word to her father-in-law Migara to join her.
Ascetic Niganthas never allowed him to attend the almsgiving. They
persuaded him to listen to the Buddha's discourse from behind a curtain.
After hearing the Buddha's discourse, Migara attained the state of
Sotapatti and thanked the Buddha and his daughter-in-law profusely.
Thereafter her father-in-law Migara treated her like a mother, and
Visakha came to be known as Migaramatha.
Flowers into garlands
The verse Yathapi puppharasimha referred to earlier is very
interesting. It means that the craftsmanship of the garland maker is
compared to those who led a virtuous life. One's life activity is
compared to a mass of flowers. It is the duty of every person to arrange
these flowers into garlands of wholesome actions.
This verse gives all of us a very strong message. Life is not a bed
of roses, but a flower bed that grows beautiful flowers. The purpose of
life, therefore, is to make beautiful garlands out of these flowers that
beautify the world.
The lesson that we can learn from this Dhammapada verse (Given at the
beginning of the article) makes best use of our temporal and mortal life
is to do good deeds that brings happiness to every one. Buddhists are
not pessimists. A person who expects the worst to happen, very often
laments constantly about the thorn in the roses.
From the story of Visakha, what we learned is to make the best use of
what is good in the world, to make it even better.
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