Kalakeerthi Edwin Ariyadasa becomes 88 years younger - A tribute
by Ranga CHANDRARATHNE and Indeewara THILAKARATHNE
Kalakeerthi Edwin Ariyadasa to whom we dedicate this main feature of
Montage, celebrated his 88th birthday on December 3. He is a person of
unique talents who may be described as the most senior practising
journalist in Sri Lanka today. It is difficult to assign Ariyadasa with
a tag such as journalist, teacher, editor, broadcaster, television
personality or communicator as he has always demonstrated the qualities
of a great humanist who is always there to support and help anyone who
seeks his help.
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Kalakeerthi Edwin
Ariyadasa |
Edwin Ariyadasa was born on December 03, 1922 in the pastoral
southern village of Unawatuna which is still breathtakingly beautiful
despite the centuries of changes following the collapse of colonialism
and the emergence of a new socio-economic order.
He had his early education at Buddhist Mixed School in Unawatuna and
received his secondary education at Mahinda College, Galle. Among his
contemporaries at Mahinda College included young Siri Gunasinghe, Vini
Vitharana, Sirimal Ranawella and Nandadasa Kodagoda, and all of whom
later became his university mates and experts on their chosen careers.
At the University College, Colombo he read for BA with Sinhala as a
major and English as an auxiliary subject at the feet of Sir Ivor
Jennings, a vestige of Colonialism and an intellectual of international
repute. It was the heyday of Colonialism and inter alia, Edwin Ariyadasa
came under the influence of heavily Anglicised culture where the
clattering of fork and spoon was the order of the day. Since 1949 when
he took journalism at the behest of Edmond Wickremasinghe (then the head
of Lake House publications) as Deputy Editor in the Editorial Board of `Dinamina’
under the Editorship of Piyasena Nishsanka, Edwin Ariyadasa has been a
practising journalist.
Perhaps as the most senior journalist and media person in the country
with about 60 years experience in the field, Ariyadasa is reminiscent of
the hey-days of journalism in Sri Lanka. In fact, he was appointed a
member of the Editorial staff at ANCL on March 3, 1949. Edwin Ariyadasa
is a quintessential bilingual who has left his imprint both in Sinhala
and English media. He served in most of the Sinhala and English
publications as a features writer. The long list includes Daily News,
Silumina, Sarasaviya Sunday Observer, Dinamina, Janatha and Nawayugaya.
He cherishes most the days he spent as the Editor-in-Chief of
Nawayugaya. Nawayugaya is held in high esteem by people in their
thirties and forties. This was primarily due to the writings by Edwin
Ariyadasa on diverse issues in Nawayugaya which shaped the intellectual
discourse of the day.
The fact that Nawayugaya influenced the readers was vindicated by
NASA scientist Dr. Sarath Gunapala at an interview with ITN. He stated
that one of the reasons why he was interested in Science was the reading
of articles that appeared in Nawayugaya.
Ariyadasa encountered many readers who preserved copies of Nawayugaya.
Credit for changing readers’ perception should go to then Editor
Nawayugaya, Edwin Ariyadasa.
One of the remarkable opportunities that he came across in his career
was that he was invited to formulate a syllabus for Mass Communication
for Junior Universities in 1969.
The Junior Universities were subsequently known as Advanced Technical
Institutes. At the Dehiwala branch, among the subjects taught were
English, Librarianship and Mass Communication. The Mass Communication
segment was under Maithtree Kariyawasam who is a friend of Edwin
Ariyadasa.
One evening he telephoned Ariyadasa and asked, “Edwin, can you start
teaching Mass Communication tomorrow morning?”.
According to Edwin Ariyadasa, it was the first time that Mass
Communication was taken up for teaching at a higher education institute
in Sri Lanka . However, the little known fact was that Ariyadasa had
already been studying Mass Communication when he was invited to teach
Mass Communication.
He recollects sporting his unassuming charming smile, that some
members of the staff remarked Ariyadasa was 50 years ahead of his time.
Maithree Kariyawasam gave a free hand to Ariyadasa enabling him to
formulate a syllabus, evaluation system for Mass Communication in the
Junior University branch at Dehiwala.
Thus, the singular acclaim of formulating a comprehensive syllabus
for Mass Communication, for the first time in the history of Mass
Communication, at Higher Education level was bestowed upon Edwin
Ariyadasa.
It would have been a Herculean task for any other person but for
Edwin Ariyadasa it was a pure intellectual exercise. He single-handedly
prepared the syllabus, evaluation systems consisting of a written
examination. In addition, students were given practical exercises and
each student had to produce a dissertation. Perhaps, this would have
been the first time that dissertation-writing was initiated at higher
education institutes. Harold Peiris, who subsequently became the
Secretary of Information to the President, wrote at the Junior
University level a book on “The Use of Photography in Print Media”, a
wonderfully illustrated book.
All the leading media personnel and literati of the time addressed
the students who took up Mass Communication course at the Junior
University. The luminaries who attended the sessions included Martin
Wickremasinghe, Piyasena Nissanka, Amaranath Jayatilaka and even film
critic Roger Manwel.
However, unfortunately the next Government scrapped the course
totally disregarding the merits and de-merits of the course. In 1972,
under the Government of Sirimavo Bandaranaike, Prof. Siriwardena, the
then President of the Colombo Campus, had been asked by Prime Minister
Sirimavo to introduce Job-oriented Courses to the university.
Edwin Ariyadasa was the Chairman of the Committee which formulated
the first ever Mass Communication syllabus at University level. The two
other members of the Committee were the then President of Jaffna Campus
Prof. Kailashapathy and Prof. Sunanda Mahendra.
Committee meetings were held at Pagoda near Lake House and Sunanda
Mahendra in light vein mentioned that Ariyadasa made the syllabus while
they had tea at Pagoda.
Thus, the syllabus was created and subsequently it was adapted by the
Social Studies section of the Kelaniya University which was under Prof.
Karunanayake.
Vision
As Edwin Ariyadasa was very keen on establishing the Mass
Communication Department, he used to deliver lengthy lectures which
sometimes ran into four hours. It should be mentioned here that Kelaniya
University presented a special award to Edwin Ariyadasa in recognition
of his outstanding contribution.
When Professor Wimal Dissanayake was appointed as the Head of the
newly established Mass Communication Department at Kelaniya University
in the 1970s, he invited Ariyadasa to be a visiting lecturer. As stated
elsewhere in the Montage, Wimal Dissanayake had “first got to know Edwin
in the 1950s without getting to know him.”Professor Dissanayake who was
a school boy then was an avid reader of the series of essays that
Ariyadasa had penned under the name of `Janaka’ , wrote many features to
‘Silumina’ covering subjects on arts and letters.
When television was introduced to Sri Lanka in the early 1980s, it
was the media gurus like Edwin Ariyadasa who devised formats not only
for Sinhala programs but also for English programs. As an expert on
foreign affairs, he conducted several programs covering the political
developments around the world. At the time, he was among the few
resource personnel in television who defined the early part of the
development of that media. One of the salient features of his
personality is his ocean of knowledge spread over many areas of human
affairs He is also very well know for his photographic memory.
A little known facet of his personality is that Edwin Ariyadasa is
also a gifted and perceptive creative writer and f poet. In a way,
readers would be baffled by the sheer depth of his poetry albeit he has
not yet published his creative work in an anthology. Among other things,
he cherishes the memories of his rather eventful childhood which he
spent in the village of Unawatuna and the mouth-watering Sri Lankan
cookery in general and `roti’ made with `Elangi oil in particular.
Mr Edwin Ariyadasa has been associated with the Diploma in Mass
Communication at the University of Colombo. At the initial stage, Prof.
Kusuma Karunaratne who was then head of the Department of Sinhala was in
charge of the course. She was quite happy that Edwin Ariyadasa was there
to help her out.
In retrospect, Edwin Ariyadasa is content with his life on two
counts; about his extensive participation in professional journalism and
with pioneering the introduction of Mass Communication at University
level. He is still very much associated with both Kelaniya and Colombo
universities.
He remembers with nostalgia, some of the practical elements he had
introduced to students who followed Mass Communication at Junior
University and later at Universities. Field trips to Martin
Wickremasinghe’s Kirimandala Road house and premiers of films were among
the practical elements in those courses.
He is quite happy with the developments in the field of Mass
Communication; particularly in the Print and Electronic sectors where
graphic quality in print media and technological advancement in
Electronic media impressive. However, he is cautious about the quality
of language and variety of presentations, especially the creativity on
the part of media practitioners.
According to Ariyadasa, the most important segment is receivers. As a
result of the desire to achieve instance success, especially in
electronic media, all kinds of activities are taking place. Some people
find that, these are culturally inappropriate and religiously
problematic.
What is needed at the moment is training and capacity building which
have not been happening although there are Communication courses,
Television Courses either at state level or at private level. However
the important capacity building and theorization are absent.
The US has well-developed courses for all aspects of Mass
Communication. When a young person enrols, that person acquires not only
professionalism, technological advancements but also the critical
values. This is an important aspect that the state should consider along
with Media Policy.
Well-equipped state-of-art training courses and the journalists
should be future-oriented. For instances, some of the newspapers had to
be closed down in the US in the face of on-line publications and on-line
advertisements. In order to attract audiences, newspapers have to forego
some of the cherished values.
Future of media
In a flash-back on his longstanding career in media, Edwin Ariyadasa
states that he had spent most of his career days at Lake House. His
first piece in English after formally joining Lake House was a review of
Martin Wickremasinghe’s novel ‘Yugantaya’ for Daily News somewhere in
March 1949 His first Sinhala piece which he wrote to the children’s
corner in Silumina ‘Kamala Lama Samajaya’ was as a 14 year-old boy. The
article was titled ‘Demaupiyanta Garukala Yuttthe Manda”.
At Lake House he was fortunate to receive guidance from outstanding
journalists such as legendary Denzil Peiris, a mentor of Ariyadasa, who
considered him as one of his proteges. He also received guidance from
Martin Wickremasinghe.
Remembering the personal relationship that he maintained with Prof.
Ediriweera Sarachchandra, Edwin Ariyadasa acknowledged the fact that he
had translated Prof. Sarachchandra’s seminal work ‘Malagiya Atto’ into
English.
From his early childhood, Ariyadasa had imbibed literature and came
across leading personalities of Hela Haula, ( School of Sinhala language
puritants) such as Ananda Kudathihi.
By 20 years, he read most of the popular English classics thus laying
a firm foundation for a future prolific writer and a media personality.
At Mahinda College , Edwin Ariyadasa crossed path with Siri
Gunasinghe, Vini Vitharana and the late Nandadasa Kodagoda. All of them
subsequently became professors. He was immersed in reading and virtually
read off the library. At the University of Ceylon (Colombo) Edwin
Ariyadasa did Sinhalese honours with English as the auxiliary subject.
One of the remarkable encounters at the University was meeting with
the late Appapilla Amirthalingam, who did Tamil honours with English as
auxiliary.
To his credit, Edwin Ariyadasa translated K. Jayatilaka’s ‘Charita
Thunak’ and Karunasena Jayalath’s ‘Golu Hadawatha’ which he serialised
for the Sunday Observer.
However, the large number of forewords that he wrote for numerous
books and blurbs for back covers cannot be traced. Edwin Ariyadasa
appeals to readers to send copies of them to him if they possess them.
Commenting on application of art, Edwin Ariyadasa is of the view that
a work of art should only be banned if it is absolutely necessary. Some
of the material which may be considered phonographic may be integral to
a work of art.
If it is done away with, there will not be any meaning to it.
However, in a highly creative work, if there are certain areas which may
present certain things graphically and if it is relevant to sincere
expression of the view of that particular artist, the work should not be
interfered with.
What will matter is the interpretation of the artist. In some
totalitarian countries, if some people want to present that stark truth,
their works will be banned because they go against the state. Referring
to the deteriorating standards of language, Edwin Ariyadasa is of the
view that the fact that should be taken into consideration is that the
reality of the younger generation is different to that of their elders.
They live in a world which is truly international and the attitudes
are cosmopolitan. In fact, what is essential is to teach the younger
generation the message by which they will be able to access the vast
storage of knowledge readily available.
Although grammar and the conventional rules of language are
essential, they must be taught to live in the 21st century irrespective
of hair splitting arguments over what grammar is right and what is
wrong. What is essential is to make children comfortable in the 21st
century.
One of the defining roles Edwin Ariyadasa plays in the Sri Lankan
public sphere is the role of a cultural intellectual of the milieu. If
Prof. Ediriweera Sarachchandra shaped the contours of intellectual
tradition in universities and Martin Wickremasinghe in the literary
field, it is, perhaps, Edwin Ariyadasa who profoundly influenced the Sri
Lankan media scene and actively campaigned for a vibrant media culture
in Sri Lanka. He is an object lesson for young media personnel who
aspire to climb the career ladder. He is among other things, famous for
the accurate usage of both Sinhala and English. Particularly, his
English is perfect and is termed out as proverbial Queen’s English. He
emphasises particularly on the use of standard language both in Sinhala
and English and abhors the present trend of bastardising the language by
using slang in reported speech.
We wish Edwin Ariyadasa good health and capacity to continue his
remarkable life and above all, his ability to roam “beyond the galaxies
and the stratosphere and reach out to the stars” for a few more decades.
In the creative ARTS and its development, the critic is just as
important as the artist..
In Sri Lanka Edwin Ariyadasa, it will be agreed, has enjoyed over the
years a pre-eminent place- for his knowledge, his erudition, his
perspicacity, and the fluency with which he expresses himself in both
languages -English and Sinhala.
This is his greatest strength. It has been said that the challenge of
criticism is to discover the relevance of Art to Experience.
There are few in the world who can measure up to this formula. In my
humble view, in Sri Lanka one of the few critics who qualifies, is Edwin
Ariyadasa.
- Lester James Peries
An insightful critic, concerned social commentator and the humane
individual makes Edwin Ariyadasa almost supreme in our barren critical
and literary landscape Having known him and his writing for almost half
a century it defies my understanding as to how he has retained not only
the rigor but also the honesty and integrity of his writing.
- Sumithra Peries
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