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Sunday, 17 November 2013

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Government Gazette

The story of Princess Hase

Many, many years ago there lived in Nara, the ancient capital of Japan, a wise State minister, Prince Toyonari Fujiwara. His wife was a noble, good, and beautiful woman called Princess Murasaki (Violet). They had been married by their respective families according to Japanese custom when very young, and had lived together happily ever since. They had, however, one cause for great sorrow, for as the years went by no child was born to them.

This made them very unhappy, for they both longed to see a child of their own who would grow up to gladden their old age, carry on the family name, and keep up the ancestral rites when they were dead. The prince and his lovely wife, after long consultation and much thought, determined to make a pilgrimage to the temple of Hase-no-Kwannon (Goddess of Mercy at Hase), for they believed, according to the beautiful tradition of their religion, that the Mother of Mercy, Kwannon, comes to answer the prayers of mortals in the form that they need the most.

So the Prince Toyonari and his wife went to the temple of Kwannon at Hase and stayed there for a long time, both daily offering incense and praying to Kwannon, the Heavenly Mother, to grant them the desire of their whole lives. And their prayer was answered.

A daughter was born at last to the Princess Murasaki, and great was the joy of her heart. On presenting the child to her husband, they both decided to call her Hase-Hime, or the Princess of Hase, because she was the gift of the Kwannon at that place. They both reared her with great care and tenderness, and the child grew in strength and beauty. When the little girl was five years old her mother fell dangerously ill and all the doctors and their medicines could not save her. A little before she breathed her last she called her daughter to her, and gently stroking her head, said:

"Hase-Hime, do you know that your mother cannot live any longer? Though I die, you must grow up as a good girl."

Not long after the death of his first wife, Prince Toyonari married again, a lady of noble birth named Princess Terute. Very different in character, alas! to the good and wise Princess Murasaki, this woman had a cruel, bad heart. She did not love her step-daughter at all.

"This is not my child! this is not my child!"

The little Princess was very diligent, and her favourite studies were music and poetry. She would spend several hours practising every day, and her father had the most proficient of masters he could find to teach her the koto (Japanese harp), the art of writing letters and verse. When she was twelve years of age she could play so beautifully that she and her step-mother were summoned to the palace to perform before the Emperor.

It was the festival of the cherry flowers, and there were great festivities at the court. The Emperor threw himself into the enjoyment of the season, and commanded that Princess Hase should perform before him on the koto, and that her mother Princess Terute should accompany her on the flute.

There was also now another reason why Princess Terute hated her step-daughter, for she had had the good fortune to have a son born to her, and in her inmost heart she kept saying:

"If only Hase-Hime were not here, my son would have all the love of his father."

So one day she secretly ordered some poison and put it in to some sweet wine. This poisoned wine she put into a bottle. Into another similar bottle she poured some good wine. It was the occasion of the Boys' Festival on the fifth of May, and Hase-Hime was playing with her little brother. All his toys of warriors and heroes were spread out and she was telling him wonderful stories about each of them.

They were both enjoying themselves and laughing merrily with their attendants when his mother entered with the two bottles of wine and some delicious cakes. "You are both so good and happy," said the wicked Princess Terute with a smile, "that I have brought you some sweet wine as a reward - and here are some nice cakes for my good children."

And she filled two cups from the different bottles.

Hase-Hime, never dreaming of the dreadful part her step-mother was acting, took one of the cups of wine and gave to her little step brother the other that had been poured out for him.

The wicked woman had carefully marked the poisoned bottle, but on coming into the room she had grown nervous, and pouring out the wine hurriedly had unconsciously given the poisoned cup to her own child. Suddenly the little boy screamed and threw himself on the floor, doubled up with pain.

The attendants rushed for the doctor, but nothing could save the child-he died within the hour in his mother's arms. When Hase-Hime was thirteen years of age, she had already been mentioned as a poet of some merit. This was an accomplishment very much cultivated by the women of old Japan. It was the rainy season at Nara, and floods were reported every day as doing damage in the neighbourhood. An Imperial edict was sent forth to all the Buddhist temples commanding the priests to offer up continuous prayers to Heaven to stop the noise of the flood. But this was of no avail.

Then it was whispered in court circles that the Princess Hase, the daughter of Prince Toyonari Fujiwara, second minister at Court, was the most gifted poet of the day, though still so young, and her masters confirmed the report. Long ago, a beautiful and gifted maiden-poet had moved Heaven by praying in verse, had brought down rain upon a land famished with drought-so said the ancient biographers of the poetess Ono-no-Komachi.

If the Princess Hase were to write a poem and offer it in prayer, might it not stop the noise of the rushing river and remove the cause of the Imperial illness? What the Court said at last reached the ears of the Emperor himself, and he sent an order to the minister Prince Toyonari to this effect.

Great indeed was Hase-Hime's fear and astonishment when her father sent for her and told her what was required of her. Heavy, indeed, was the duty that was laid on her young shoulders - that of saving the Emperor's life by the merit of her verse.

At last the day came and her poem was finished. It was written on a leaflet of paper heavily flecked with gold-dust. With her father and attendants and some of the Court officials, she proceeded to the bank of the roaring torrent and raising up her heart to Heaven, she read the poem she had composed, aloud, lifting it heavenwards in her two hands.

Strange indeed it seemed to all those standing round. The waters ceased their roaring, and the river was quiet in direct answer to her prayer. After this the Emperor soon recovered his health. There was only one person who was not pleased at Hase-Hime's success. That one was her stepmother. The poor child knew there was no good in protesting to her unkind step-mother at being sent away in this strange manner, so she went as she was told.

Prince Toyonari, after some weeks, came home, and was told by his wife that his daughter Hime had done something wrong and had run away for fear of being punished.

One day, trying to forget his terrible worry, he called all his men together and told them to make ready for a several days' hunt in the mountains.

They were soon ready and mounted, waiting at the gate for their lord. He rode hard and fast to the district of the Hibari Mountains, a great company following him. He was soon far ahead of every one and at last found himself in a narrow picturesque valley.

Looking round and admiring the scenery, he noticed a tiny house on one of the hills quite near, and then he distinctly heard a beautiful clear voice reading aloud.

The cottage was wide open and she was sitting facing the view. Listening attentively, he heard her reading the Buddhist scriptures with great devotion.

More and more curious, he hurried on to the tiny gate and entered the little garden, and looking up beheld his lost daughter Hase-Hime. She was so intent on what she was saying that she neither heard nor saw her father till he spoke.

"Hase-Hime!" he cried, "it is you, my Hase-Hime!" Taken by surprise, she could hardly realise that it was her own dear father who was calling her, and for a moment she was utterly bereft of the power to speak or move.

"My father, my father! It is indeed you - oh, my father!" was all she could say, and running to him she caught hold of his thick sleeve, and burying her face burst into a passion of tears.

Her father stroked her dark hair, asking her gently to tell him all that had happened, but she only wept on, and he wondered if he were not really dreaming.

Then the faithful old servant Katoda came out, and bowing himself to the ground before his master, poured out the long tale of wrong .

The Prince's astonishment and indignation knew no bounds. The old servant Katoda was rewarded with the highest promotion in his master's service. As Prince Toyonari had no son, he adopted a younger son of one of the court nobles to be his heir, and to marry his daughter Hase-Hime, and in a few years the marriage took place.

Hase-Hime lived to a good old age, and all said that she was the wisest, most devout, and most beautiful mistress that had ever reigned in Prince Toyonari's ancient house. She had the joy of presenting her son, the future lord of the family, to her father just before he retired from active life.

To this day there is preserved a piece of needle-work in one of the Buddhist temples of Kioto. It is a beautiful piece of tapestry, with the figure of Buddha embroidered in the silky threads drawn from the stem of the lotus. This is said to have been the work of the hands of the good Princess Hase.

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