Sri Lanka's indigenous Tamil dance forms
By Subashini Pathmanathan
The term 'Koothu' was generally used in Tamil to refer to the dance
form. That's why the dancing deity Lord Nataraja is often referred to by
numerous names such as Koothapiran, Koothuandavan and Kootharasan. The
ancient Sanskrit stage was often referred to as Koothuambalam.
The ancient Tamil classic Silappadikaram was written by the royal
ascetic Illangoadikal in the second century A.D. It mentions numerous
Koothu forms that existed at that time. Adiyarkunalar,the commentator on
Silappadikaram, wrote the first commentary on Silappadikaram after the
13th century of its appearance.
Ancient Tamil literary work 'Kootha nool' mentions that dance
originated in performing drama and drama originated in dance.In ancient
times there was no proper separation between the dance and drama.
Initially dance and drama were considered as one and the same art form.
But with the passage of time both these art forms were gradually
separated from one another. And later they maintained their own identity
and originality.
Today the Tamil word Koothu means folk dance. It is generally
referred to as Koothuk Kalai. Koothu forms are influenced by local
culture, tradition and regional practices. These Koothu forms are known
as Naatu Koothu. The Tamil word Naatu means 'village' or country. At a
regional level the Sri Lankan Tamil indigenous dances were divided into
three divisions.
One is eastern indigenous dance form. The other is northern regional
indigenous Koothu dances including the Mannar district, Vanni district
and Jaffna district. And other regional Tamil folk dances are based on
upcountry Tamil indigenous dances.
Thennmodi Koothu and Vadamoodi Koothu forms are quite popular in the
northern and eastern regions of Sri Lanka. The Tamil indigenous dances
are practised, preserved and protected in the Tamil dominated areas of
Sri Lanka. Earlier the Koothu forms are well protected and preserved by
Annaviyars who were the males practising Koothus.
The approach of practising of Thennmodi Koothu is quite different
from Vadamodi Koothu. Both the Koothu forms are different from one
another especially on the basis of Thala Kattu (rhythm and tempo). The
Batticaloa district in the eastern Province of Sri Lanka is famous for
traditional Koothus.
Forms
Batticaloa Koothu forms are more or less accompanied with two main
instruments such as drums and thalam. Thennmodi Koothu practised in
Jaffna is always accompanied with more than two instruments. It was
practised with a certain selective orchestra. Prof S. Maunaguru's
contribution is immeasurable to preserve the traditional local Tamil
dance forms in the eastern Sri Lanka. He took tremendous efforts to
revive them. To create public awareness among the people he himself
performed on stage.
His untiring efforts even after the 30 years of terrorism to protect
and preserve these traditional indigenous Koothu forms of eastern Sri
Lanka are commendable. Because of him the Tamil world has got an
opportunity to see these valuable indigenous art forms once again in the
eastern Sri Lanka. Presently it is noticeable that all the ancient
Koothu are intermingled with dance and drama to a certain extent.
Caste
The northern Sri Lankan indigenous Koothu forms survived due to the
efforts of the late Prof Vithyananthan. In northern Sri Lanka most of
the Koothu forms were related to different castes. Some of the Koothus
are still persevered by the Hindu and Christian communities.
According to previous records Vadamodi Koothu, Thennmodi Koothu,
Thennpaangu Koothu, Vadapaangu Koothu, Vassapu Koothu, Kathathavarayan
Koothu, Kovalan Koothu, Nondi Koothu,Vilasam Koothu and Pallu Nadakam
were some of the remarkable Koothu forms that prevailed in the northern
Sri Lanka. At present a very few varieties of Koothu exist. So far, a
handful of scholars have done considerable amount of research on Sri
Lankan Tamil folklore.
Earlier many Koothu forms existed, but recently due to the arrival of
numerous modern technical and electronic mass media all the traditional
art forms have gradually lost their importance. Today many of the Sri
Lankan Tamil Koothu forms are only known by their names.
Some ancient indigenous dance forms performed in Sri Lanka are not at
all practised in the present era.
For instance, certain folk dances such as Nondi Nadakam, Pallu
Nadakam and Thinnai Koothu were practised by the earlier generation of
northern Sri Lanka. But these are not at all practised by the present
generation.
In other words, the above Koothu forms are not at all in use. Some
folk literature indicates that the Vada modi and Thenn modi Koothu forms
reached the eastern part of Sri Lanka from the northern part of the
island. These two popular Koothu forms reveal certain Nava Rasa
expressions as in the classical Tamil dance. These dance forms are
performed in a raised and a half shaped dais platform.
Folk musicians
Their folk dances are accompanied together with instrumental artistes
and the folk vocal musicians. The whole accompaniments provide their
background musical support on stage in standing position. Yet it is
noticeable that both the indigenous traditional dance forms have their
own identity on the basis of rhythm, make-up, costumes and the way of
using the hand gestures.
Different rhythmic tempos of beatings help to identify the type of
the folk dance. For instance, the basic differences between the
'Vadamodi' and 'Thenn modi' arise due to the differences of rhythmic
tempos. Thenn modi has a special and specific rhythmic pattern.
Very often the common people confuse the term 'Thenn modi' with
another Koothu dance called 'Thenn Paangu'. These dance forms differ
from one another.
Musical tunes used for these two different dance forms also differ
from one another. In the 'Thenn Paangu Koothu' the characters or the
participants enter the stage with a song and leave the stage with a
song. They adorns themselves and sing the songs.
The 'Thenn Paangu Koothu' and 'Vada Paangu Koothu' dances were mainly
practised in the Mannar district in northwestern Sri Lanka. |