RS's chronicles of life
Reviewed by Kalakeerthi Dr. Edwin Ariyadasa
The happiness of life
is made up of minute fractions - the little soon forgotten charities of
a kiss or smile, a kind look, a heartfelt compliment and the countless
infinitesimals of pleasurable and genial feeling."
- Samuel Taylor
Coleridge (1772-1834)
British poet
Journalists tread a multitude of paths. You have investigative
journalists, social journalists, political journalists and of course
photo-journalists.
To me R.S. Karunaratne,popularly known as 'RS' has to be accommodated
in a totally new category. He deserves the sobriquet 'Ascetic
Journalist' and pre-eminently so.
For three long decades, R.S. has been a professional journalist,
assiduously pursuing the routines associated with that calling. As a
member of the visiting faculty in universities and other institutions of
higher education, he has enriched his personality, adding a new
dimension to it.
Style
As a teacher of journalism and English he has registered an
impressive impact, though he scrupulously maintains a subdued and
low-profile presence.
Currently his primary style of writing has quite clearly acquired a
belletrist preoccupation.
In his introduction to Vignettes of Life - his latest anthology of
essays - RS rationalises his marked inclination towards the present
format: "I took to essay writing because an essayist has the freedom to
write on any topic. However, unlike in the past - essays have to be
short. In fact vignettes are short essays."
The need for the well-crafted essay, which provides an aesthetic
pleasure, is extensively felt nowadays.
A vast space of current journalistic publications - in newspapers and
magazine - is taken over by matter-of-fact reportage. The yearning the
masses have, for beautifully turned out, soul-soothing essays, suffers
frustration.
In this context, RS's effort to offer pleasing essays to readers is a
highly praiseworthy mass service.
Format
He observes two distinct advantages provided by the essay-format. It
endows upon the writer an untrammelled liberty of theme-choice. To
reflect the people's lack of leisure to be absorbed in prolonged pieces
of writing, the contemporary writer has to say his say, as briefly as is
possible.
In other words, the essays have to be short, because they are aimed
at flocks of readers, who 'run and read.'
RS's present anthology Vignettes of Life is, in spirit, an extension
of his earlier work titled Vignettes on Life.
These works are the appealing outcome of an intensely focussed look
at the parade of human life.
He observes life with a reclusive keenness and concentration. This
state of mind enables him to observe items that many people are quite
likely to miss in their hurried passage through day-to-day life.
Grammar
The 50 essays gathered between the covers of the present work, form a
profoundly profitable grammar of life. As I see it, RS fulfils a kind of
spiritual mission through these written - sermons. It disciplines the
reader, obliquely, to be mindful about what he experiences.
The essay titled "Face reading is fun," intrigued me no end, because
he has indicated quite carefully certain personality characteristics
that can be gleaned through a study of facial nuances. You come upon in
this collection a whole range of essays that are didactic and provide
practical instructions.
A mere reading of the essay titles will enable a reader to appreciate
the vast sweep of life the writer touches. The book is, all at once, a
pop-psych practical guide, a handbook for positive thinking and a series
of spiritual sermons to keep a reader's mind unshaken by the veering
vicissitudes of human existence.
Genres
The book quite vividly reflects, RS's trained frequentation of many a
literary genre.
If we are to surmise through the essays he contributes to the Sunday
Observer, his intimate friends are Socrates, Aristotle, Pythagoras and
others of that ilk in the contemporary world. Such essays as those
anthologised in the present collection and the writings he contributes
to the Sunday Observer, all speak loud and clear of an exceptional
journalist of our day. While leading a life of ascetic austerity, his
hobby seems to be to seek the company of philosophers and seers both
dead and alive. I am quite certain that any reader will be stunned to
discover the massive realm of subject-matter the author conducts him to.
The style-level of the essays enables easy assimilation. It is likely to
inspire the younger generation of readers to emulate his art of writing.
The reader can dip into this work and select any essay at random,
fully convinced that whatever may be the piece he turns to it will
provide him with exclusive reading pleasure.
Reading
A surrealistic work of art adorns the cover of the book which is
designed by Pubudu Ruwanthilaka.
The thoughts, perceptions, philosophies and observations will
continue to echo in the deep recesses of the reader's soul even after he
had put down the book. The ascetic journalist, R.S. has displayed to the
readers what he has stored in his memory over a period of time. |