Exclusive:
Cultural studies, academic integrity and university teachers in
Googalised world
By Ranga CHANDRARATHNE
A characteristic of postcolonialism is a
fracturing of unified versions of history, progress and development.
Formerly colonized nations had to (re)discover their histories,
languages, religions and traditions that had been burnt, destroyed,
discarded and disrespected. So in every postcolonial journey, there is a
nationalist moment where a new form of community emerges to understand
the past and to construct a sometimes artificial and arbitrary community
as a nation. But nations – because they are often born as a bandage to
dress and heal invasion and dispossession – are unstable. So new
movements for regionalism and city identities emerge that provide new
opportunities to think about our identity.
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Professor Tara Brabazon |
Professor Brabazon, looking at your very lengthy curriculum vitae, I
can ask you many questions covering many areas of your expertise. But
for this exclusive interview to Montage, I want to focus and cover a few
questions on three areas on cultural studies, academic integrity and
qualities of a good university teacher in the era of Internet and
Google.
Q. You taught cultural studies in several universities both in
the northern and southern, hemisphere. This is not a subject we do teach
in Sri Lankan universities despite our colonial heritage. Could you
please define cultural studies and its scope and boundaries, the
strengths and weaknesses comparing it with social sciences?
A. Cultural studies is an interdisciplinary frame work that
combines the best of history, sociology, politics and literature. It
captures the deep textual engagement of literary studies with the
contextual rigour of history, the sharpness of argument from politics
and the rich social awareness of sociology. We align ‘the what’ of texts
with ‘the who’ of sociology, ‘the when’ of history and ‘the why’ of
politics.
The resultant paradigm is both flexible and powerful. The type of
work that can be conducted varies from a close reading of media and
popular culture through to provocative engagements with policy, such as
through creative industries strategies. The key imperative of cultural
studies is connection: maintaining a profound relevance and alignment to
the present. Our goal is to freshen old knowledge and apply it in new
ways.
Q. Among other things you teach at University of Brighton, UK,
you teach two interesting units. I am speaking about the units such as
Thinking Pop and Creative Industries, Teaching, Learning and Writing
through Popular Culture. What is Thinking Pop and Creative Industries
and how can one learn and write through Popular Culture?
A. You have discovered the two great passions of my life.
Thinking Pop is a first year unit. Teaching, Learning and Writing
through Popular Culture is a Masters-level course. Both explore the
popular culture that serves its society in a thoughtful, rigorous and
considered way. Pop – by its nature – is ephemeral. Yet a few special
moments of popular culture resonate, to both capture and comment on our
lives, narrating our hopes, passions, disappointments and confusions. I
do not see popular culture as good or bad. But I am interested in the
Thinking Pop, the popular culture that questions, probes, unpicks and
teaches, arching citizens beyond their daily experience and into
collective consciousness of injustice.
Creative industries is the second area of my teaching. I teach a
course of that name to first year students, but at MA level this work
continues through such courses as City Imaging, which explores how
cities are branded, marketed and reinvigorated. Creative Industries
describes a movement in economic and cultural policy in the mid to late
1990s. It derived from post-industrial nations, regions and cities
trying to discover new engines of economic growth. Instead of
agriculture, mining and manufacturing, the paradigm shift was a desire
to develop businesses based on patents, designs, copyright and
intellectual property.
Charles Leadbeater described this change as “Living on thin air.”
This model for economic growth, most frequently based around small and
medium sized enterprises, has spread throughout the world. One of the
reasons Lord of the Rings has sustained its success beyond the release
of the filmic trilogy is because in New Zealand, the Wellington City
Council took on the ideas of Leadbeater and Richard Florida. They
developed integrated strategies for film, special effects, tourism and
education. The goal of these strategies around the world – at their best
– is to create a horizontal integration of industries. In other words, a
success in one field or profession assists other fields, industries and
professions in their development. The creative industries offer
strategies for sustained economic growth that are particularly effective
in post-industrial cities like Manchester, Sheffield and Liverpool in
the United Kingdom.
Q. We hear and talk a lot about popular culture and how
important for any country to learn about popular culture in order to
develop media and cultural polices?
A. Popular culture is important, mainly because of the
adjective in that phrase. It is popular. While ‘we’ may not like
particular elements of popular culture, particularly if they are racist,
sexist or perpetuate colonial narratives, ignoring this injustice is not
an option. The goal of educators is to support, understand and develop
Thinking Pop, the popular culture that teaches us about our time and
provides space for multiculturalism, the sharing of ideas and the
building blocks for collective conversations. To provide one example,
Woody Guthrie was a fine singer and songwriter who chose to use music to
raise questions about social inequality. Listening to “This Land is Your
Land” provides a flash of insight and consciousness about injustice and
an opportunity to create change.
Q. One of your specialities is teaching. You are an
outstanding teacher and have won six teaching awards, including the
Australian National Teaching Award for the Humanities in 1998, along
with others in the areas of disability and cultural studies. In 2005,
you have also won both the Murdoch University Postgraduate Supervisor of
the Year and the Teaching Excellence Award. In 2009 you won the
University of Brighton’s Teaching Excellence Award, nominated by both
undergraduate and postgraduate students. These awards speak for
themselves. Would you please tell us WHY teaching is important for a
university teacher?
A. It is a privilege to be a university academic. It is a gift
that I appreciate each day. It is a joy to teach the best and brightest
of each generation to become their best selves. Academics must always
research and write so that we are working at the edge of knowledge, but
it is our responsibility to share this new knowledge with the next
generation. Teaching students is our first moment and opportunity for
dissemination of our research, so that they can build on it in the
future. But also, if we as scholars are to survive and assist the
society that we are meant to serve, then our first priority each day
must be to look after the next generation of thinkers, writers,
researchers, policy makers, musicians, film makers and journalists.
These students deserve our best each day. Also, I believe that our
universities should represent the best of our societies. So much of life
is ruthless, cold, angry, brittle and brutal. For the three years that
students are with us, it is important that they are nurtured, listened
to, cared for, helped and supported. We know the rest of life is not
like our time at university. But through kindness and rigour, we can
prepare students for the challenges that follow.
Q. Would you please tell us the qualities you value and like
to see in a university teacher?
A. I am very demanding of my profession, because it is such a
gift and privilege to teach. The foundation for teaching is a
qualification in both a specific field and in education. I believe that
all academics should hold both a PhD and – at least – a Bachelor of
Education. We require expertise in our subject, but also a clear
understanding of curriculum development, literacy theory and information
management.
These are the foundational qualities. However, university teaching is
also based on respect for students, and a desire to move them from where
they are to where they want to be. A teacher must be both a leader and
supporter, a talker and a listener. Most importantly, we must share our
passion for knowledge and learning with students. We must create a
dynamic environment for students to question, test, probe, fail and
succeed. Most importantly, a teacher must care. The moment that we
become flippant or careless in our teaching is the moment we should walk
away from the classroom.
Q. University teaching is a difficult task these days. In an
interview you gave on teaching in the Internet era that appeared in The
Guardian, on January 22, 2008, the blurb carried, An Australian
professor fed up with essays full of regurgitated Internet mediocrity,
Why do you say this? Some of us believe that Internet is the panacea and
the solution for all our problems. Please comment.
A. The internet is a medium of information and communication.
It is not church, temple or mosque. The difficulty and excitement of the
online environment is the size and scope of the available information.
The challenge is how to manage it. I am very happy for citizens and
consumers to use the internet, the web and Google in any way they choose
to suit their interests. But education is special and specific. Within
formal education, commonsense is frequently not good sense.
My goal as an educator is to challenge students to transcend their
personal experience and learn new ideas. The problem with search engines
like Google is that we can only place words in the search box that we
already know. Therefore, our already existing (limited) knowledge is
reinforced by the results returned from the search. To provide one
example: if I enter “postcolonialism” into Google, the first return is
Wikipedia. That knowledge is fine if you require general information for
personal interest. It is not appropriate and difficult enough for what
we require at university. However the results transform if the searcher
adds the names of three of the key theorists in postcolonialism:
“Bhabha, Balibar, Spivak.” High quality materials emerge. Therefore the
challenge for education and teachers is not ‘in’ the internet, web or
Google. The key for teachers is to intervene, to demonstrate that there
is a difference between information and information literacy. Finding
information is not difficult. Finding quality information at a level we
require in education is much more challenging.
Q. One of our academics published a popular newspaper essay on
“the internet”, globalization and nationalism. He appears to believe
that there is a choice besides the latter two. Could globalization lead
to or promote nationalism?
A. A characteristic of postcolonialism is a fracturing of
unified versions of history, progress and development. Formerly
colonized nations had to (re)discover their histories, languages,
religions and traditions that had been burnt, destroyed, discarded and
disrespected. So in every postcolonial journey, there is a nationalist
moment where a new form of community emerges to understand the past and
to construct a sometimes artificial and arbitrary community as a nation.
But nations – because they are often born as a bandage to dress and heal
invasion and dispossession – are unstable. So new movements for
regionalism and city identities emerge that provide new opportunities to
think about our identity.
I am often concerned about how globalization is used. It can often
describe colonialism by other means. Instead of empires, we now have
corporations.
Q. In searching knowledge, could Internet and its favourite
cousins such as Google really assist us to seek knowledge and wisdom?
A. The internet is an expansive platform that provides an
extraordinary diversity of information. Google, with its related
services such as Google Scholar, is a way to control and sort that
information. However because Google enables searching in conversational
language and automates the process of finding information, it deskills
users and transforms searchers into consumers of information. We find
information, but lack the expertise to evaluate it. Therefore, my goal
is to ensure that students input higher quality search terms into Google
Scholar, to improve the information that they find. I want to bring the
skills back to searching.
Information is the foundation of knowledge and wisdom, but these
terms are not synonyms. When information is shaped, interpreted and
evaluated it becomes knowledge. But when we can render past knowledge
relevant to our present, then it can become the font of wisdom.
Q. In a public lecture you gave in the UK, entitled “Google Is
White Bread for the Mind”, Why did you say that?
A. There are two major excesses in our culture: an excess of
information and an excess of food. To intervene in the assumption that
more information is always better information, I borrowed a metaphor
from food. We all know that all food is not the same. Some food is
better than other food. Fruit and vegetables are healthier than ice
cream. White bread can fill us up and give us the calories that we need.
We eat. White bread fills us up, but has no nutritional value. Google is
the white bread of search engines. Google can deliver to searchers a
huge amount of material. But without information literacy, a large
amount of low quality data is found. This information can satisfy, but
not challenge.
Q. How important is it for university teachers to go back to
teaching subjects such as literature, communication or history for that
matter?
A. I believe it is important to teach and research the full
range of knowledge from the hard sciences through to the traditional
humanities. Without teaching the range of subjects, we do not create
productive interdisciplinary conversations. Insight and innovation
emerges through combining older truths in new ways. If we drop
particularly subjects from the curriculum, then we are blocking insight
and imagination in our schools and universities.
Professor Tara Brabazon
Tara Brabazon is Professor
of Media at the University of Brighton, United Kingdom,
Visiting Professor at Edge Hill’s SOLSTICE CETL, Fellow of
the Royal Society for the encouragement of Arts,
Manufactures & Commerce (RSA), Programme Leader of the
Master of Arts in Creative Media.
Previously, Professor
Brabazon held academic positions in both Australia and
Aotearoa/New Zealand. An outstanding teacher, she has won
six teaching awards, including the Australian National
Teaching Award for the Humanities in 1998, along with others
in the areas of disability and cultural studies. In 2005,
Tara won both the Murdoch University Postgraduate Supervisor
of the Year and the Teaching Excellence Award.
In 2009 and she won the
University of Brighton’s Teaching Excellence Award,
nominated by both undergraduate and postgraduate students.
She was a finalist for the 2005 Australian of the Year and
also the 2005 Telstra Businesswoman of the Year in the
Community Service category. In 1999 and 2002, she was
short-listed for the Western Australian Citizen of the Year.
Tara teaches from first year
right through to doctoral level. She teaches two first year
modules at the University of Brighton: Thinking Pop and
Creative Industries. In the MA Creative Media she teaches
six modules both on campus and through distance education.
These modules are Media
Literacies, Practising Media Research, Sonic Media, City
Imaging, Teaching, Learning and Writing through Popular
Culture and the Dissertation module.
Professor Brabazon holds
three Bachelor degrees: a first class honours degree in
history, a Bachelor of Literature and Communication and a
Bachelor of Education (passed with distinction). She also
holds three Masters degrees, a Graduate Diploma in Internet
Studies and Doctor of Philosophy. |
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