
More techniques to draw trees!
In last week's lesson I wrote about the basic structure in drawing
trees. The illustration featured this week comprises a variety of trees
and bushes drawn in the same manner.

The effect of leaves and shadows to indicate the sort of tree drawn
is clearly shown in Figure 1. After the main shape of the tree has been
drawn with fine, dotted pencil lines, the outline is then filled with
thick black ink. Hold your pen fairly loosely when doing this. Obtain
the desired effect by making quick small circles, wiggles, dots and
dashes. Produce deep, dark shadows with white bits showing through to
give a sense of texture and form. With just a little practice, it really
is easy to do. The finished result is very professional. Now, try to do
your own drawing, applying the techniques you have learned so far.
When trees wither
After the leaves have fallen during hot summer, we can clearly see
how a tree is constructed and how one differs from another. Look at the
tree at the top of Figure 2. See how different it is from the rest.
Patience and good observation are required to draw a withered tree
accurately. You need to ask yourself what exactly you see; what shape is
the tree or bush? Which way do the branches grow up or out? What are the
twigs like? How does the bark appear - ridged, wrinkled or smooth and so
on.
The best way to start drawing a tree which has withered is with an
outline shape. Then move to the trunk, and follow up by drawing the main
branches. Add the twigs last of all.
Trees to the front
Artists frequently use trees as a focal point in a picture. Figure 3
shows how a group of fir trees on an island has been used in the
foreground to give an idea of the scale of the mountains beyond. Copy
this drawing. Start with the sky lines to suggest cloud movement then
sketch the hills, followed by the island and tall trees.
The band of trees in distance between the island and hills is
portrayed with a scribble pen. The same technique is applied to the
bushes on the island. The fir branches are suggested by masses of two,
three or four strokes drawn with a fine pen. Notice how some of these
point more upwords, while others go downwards.
The portrayal of what is obtained by wavy horizontal dashes. Copy all
these drawings straight off with a size 0.1 pen. |