18th century French literature:
The work of Voltaire
The period known as the Enlightenment has been defined in many
different ways, yet at its broadest, it was a philosophical,
intellectual and cultural movement of the seventeenth and eighteenth
centuries. It stressed reason, logic, criticism and freedom of thought
over dogma, blind faith and superstition. Logic had been used by the
ancient Greeks, but it was now included in a worldview which argued that
empirical observation and the examination of human life could reveal the
truth behind human society and self, as well as the universe.
Enlightenment thinking held that human life and character could be
improved through the use of education and reason. The universe, when
considered to be a functioning machine could also be altered. The
Enlightenment thus brought interested thinkers into direct conflict with
the political and religious establishment. They challenged religion with
science and empiricism. The Enlightenment thinkers wanted to do more
than understand, they wanted to change things for the better. They also
believed that reason and science would improve lives.
The spearhead of the Enlightenment was a body of well connected
writers and thinkers from across Europe and North America who became
known as the "Philosophes", which is French for philosophers. These
leading thinkers formulated, spread and debated the Enlightenment
through works of art and literature. Where historians once believed that
the "Philosophes" were the sole carriers of Enlightenment thought, they
now generally accept that they were merely the vocal tip of a much more
widespread intellectual awakening among the middle and upper classes,
turning them into a new social force. These were professionals such as
lawyers and administrators, office holders, higher clergy and landed
aristocracy.
Voltaire and the influences upon him
Voltaire was one of the leading French thinkers of the 18th century's
Age of Enlightenment. A philosopher, writer, deist, essayist, and
satirist, he is famous for Philosophical Letters, and Candide, in which
he satirizes man's blind optimism. Voltaire's real name was
Francois-Marie Arouet (1694-1778), and he was born to a wealthy family
in Paris. Intended for the legal profession, he went to a college run by
Jesuit priests studying law but rebelled against his family's wishes to
pursue a literary career. He was imprisoned in the Bastille for penning
libelous poems, during which time he wrote tragedies and adopted the
name of Voltaire. After a second spell in prison, he quit France for
England to avoid more trouble, and there he came under the lasting
influence of the works of John Locke and Sir Isaac Newton.
John Locke
The "Essay Concerning Human Understanding" or "Essay" for short, is
John Locke's greatest philosophical work, one of the greatest influences
for another century and for this he is considered to be the greatest
British philosopher of all time. The subject of "Essay" is the nature of
human understanding, the way in which the human mind collects,
organizes, classifies and makes judgments based on data received through
the senses. His theory of mind is often cited as the origin of modern
conceptions of identity and "the self," which figures prominently in the
later works of the successors to his "Essay", including philosophers
George Berkeley, Immanuel Kant, Jean-Jacques Rousseau and David Hume. A
good friend of scientists Isaac Newton and Robert Boyle, Locke wanted to
set the foundations of human knowledge on a sound scientific footing.
For Locke, there is no innate knowledge or idea of God, as all things
must be derived from experience, through sense organs. This is
essentially "empiricism."
Sir Isaac Newton
Was an English scientist, physicist, mathematician and astronomer,
famous for discovering gravity and three laws of motion stated in his
masterpiece "Principia Mathematica", the basis for all modern physics.
He created the mathematics of calculus, worked on the nature of light
and the construction of telescopes; he also devoted researches to
alchemy and theology. He scientific discoveries and thinking had a large
influence on Voltaire, who championed reason.
Candide
Voltaire's constant criticism of the Catholic Church and the French
government got him into serious trouble. He became a strong voice for
freedom of expression, alongside his emphasis on reason. He wrote many
satires on what he saw as the abuse of power by society's elite,
inevitably bringing himself deeper into conflict with society's elite.
In his Philosophical Dictionary, he views religion as he relates it to
the qualities of a theist: "...for the simple worship of a God has
preceded all the systems of the world. He speaks a language that all
peoples understand, while they do not understand one another". It is
small wonder that the Church found him a vexation. Of all Volaire's
commentaries on life and writing, there is none that is better know or
celebrated as Candide. This is undoubtedly due to the range and impact
of the themes covered within the novel. The most pertinent of these are
as follows:-
The hypocrisy of religion
Voltaire satirizes organized religion by means of a series of
corrupt, hypocritical religious leaders who appear throughout the novel.
The reader encounters the daughter of a Pope, a man who as a Catholic
priest should have been celibate; a hard-line Catholic Inquisitor who
hypocritically keeps a mistress; and a Franciscan friar who operates as
a jewel thief, despite the vow of poverty taken by members of the
Franciscan order. Finally, Voltaire introduces a Jesuit colonel with
marked homosexual tendencies. Religious leaders in the novel also carry
out inhumane campaigns of religious oppression against those who
disagree with them on even the smallest of theological matters. Though
Voltaire provides these numerous examples of hypocrisy and immorality in
religious leaders, he does not condemn the everyday religious believer.
For example, Jacques, a member of a radical Protestant sect called the
Anabaptists, is arguably the most generous and humane character in the
novel.
Pangloss and his student Candide maintain that "everything is for the
best in this best of all possible worlds." This idea is a reductive
simplified version of the philosophies of a number of Enlightenment
thinkers. To these thinkers, the existence of any evil in the world
would have to be a sign that God is either not entirely good or not
all-powerful, and the idea of an imperfect God is nonsensical. These
philosophers took for granted that God exists, and concluded that since
God must be perfect, the world he created must be perfect also.
According to these philosophers, people perceive imperfections in the
world only because they do not understand God's grand plan. Because
Voltaire does not accept that a perfect God (or any God) has to exist,
he can afford to mock the idea that the world must be completely good,
and he heaps merciless satire on this idea throughout the novel.
The optimists, Pangloss and Candide, suffer and witness a wide
variety of horrors-floggings, rapes, robberies, unjust executions,
disease, an earthquake, betrayals, and crushing ennui. These horrors do
not serve any apparent greater good, but point only to the cruelty and
folly of humanity and the indifference of the natural world. Pangloss
struggles to find justification for the terrible things in the world,
but his arguments are simply absurd.
An example of this is when he claims that syphilis needed to be
transmitted from the Americas to Europe so that Europeans could enjoy
New World delicacies such as chocolate. More intelligent and experienced
characters have all reached pessimistic conclusions about humanity and
the world. By the novel's end, even Pangloss is forced to admit that he
doesn't "believe a word of" his own previous optimistic conclusions.
The corrupting power of money
When Candide acquires a fortune in Eldorado, it looks as if the worst
of his problems might be over. Arrest and bodily injury are no longer
threats, since he can bribe his way out of most situations. Yet, if
anything, Candide is more unhappy as a wealthy man. The experience of
watching his money trickle away into the hands of unscrupulous merchants
and officials tests his optimism in a way that no amount of flogging
could. In fact, Candide's optimism seems to hit an all-time low after he
is cheated. It is at this point that he chooses to make the pessimist
Martin his traveling companion. Candide's money constantly attracts
false friends. Count Pococurante's money drives him to such world-weary
boredom that he cannot appreciate great art. The cash gift that Candide
gives Brother Giroflée and Paquette drives them quickly to "the last
stages of misery." As terrible as the oppression and poverty that plague
the poor and powerless may be, it is clear that money-and the power that
goes with it-creates at least as many problems as it solves.
The uselessness of philosophical speculation
One of the most glaring flaws of Pangloss's optimism is that it is
based on abstract philosophical argument rather than real-world evidence
(or Empiricism). In the chaotic world of the novel, philosophical
speculation repeatedly proves to be useless and even destructive.
Time and time again, it prevents characters from making realistic
assessments of the world around them and from taking positive action to
change adverse situations. Pangloss is the character most susceptible to
this sort of folly. While Jacques drowns, Pangloss stops Candide from
saving him "by proving that the bay of Lisbon had been formed expressly
for this Anabaptist to drown in."
While Candide lies under rubble after the Lisbon earthquake, Pangloss
ignores his requests for oil and wine and instead struggles to prove the
causes of the earthquake. At the novel's conclusion, Candide rejects
Pangloss's philosophies for an ethic of hard, practical work.
With no time or leisure for idle speculation, he and the other
characters find the happiness that has so long eluded them. This
judgment against philosophy that pervades Candide is all the more
surprising and dramatic given Voltaire's status as a respected
philosopher of the Enlightenment.
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