'Take a child to the theatre today'
By Anuradha Kodagoda
Every year the World Day of Theatre for Children and Young People has
been celebrated all over the world by the international community of
theatre professionals.
The main purpose of the World Day of Theatre for Children and Young
People is to attract the attention of a wider audience to the art of
theatre for children and young people and it is facilitated by ASSITEJ
(Association International du Theatre pour l´Enfance et la Jeunesse) -
International Association of Theatre for Children and Young People.
"ASSITEJ recognises the right of all children and young people to
enrichment through the arts and their own cultural traditions,
especially theatre culture. Theatre respects its young audiences by
presenting their hopes, dreams, and fears; develops and deepens
experience, intelligence, emotion, and imagination; inspires ethical
choices; increases awareness of social relationships; encourages
self-esteem, tolerance, confidence, and the free expression of
opinions," said the President Kim Sook Hee, ASSITEJ Korea.
Kim Sook Hee participated as chief guest at the recently concluded
Colombo Theatre Festival For Young Audiences organised by the Lanka
Children's and Youth Theatre Foundation (LCYTF) which is the official
national ASSITEJ centre in Sri Lanka.
'Take a child to the theatre today' is the next three years' campaign
slogan of ASSITEJ. It is a clear and simple message which encourages
parents, grandparents and guardians to take the children in their care
to the theatre. It is a known fact that with the many technological
achievements today, children have many options to spend their leisure
and unfortunately theatre is no more an option in their leisure
activities. Therefore, it is crucial to persuade, especially parents and
guardians to take their children to the theatre even occasionally.
However, compared to the situation in Korea, the enthusiasm for theatre
in Sri Lanka is much higher than in Korea among the children and
adults," she said.
Article 31
The ASSITEJ endorses Article 31 of the 1989 United Nations´
Convention of the Rights of the Child that affirms the right of children
to leisure time and the enjoyment of arts and cultural activities. It
shares common values with UNESCO's Cultural Policy, calling for the
rights of children and young people for cultural participation and
activity. It holds with the belief of the 2005 UNESCO Convention about
Cultural Diversity, that children and young people must be allowed a
cultural identity and be visible everywhere in society.
ASSITEJ is an advocate for the promotion of theatre for young
audiences in principle and practice. It calls on all national and
international organisations that recognise the potential of children and
young people and their capacity to contribute to the development of
society to recognise and support this constitution. This year's Colombo
Theatre Festival for Young Audiences featured popular original plays
such as Vikurthi and HimaKumariya musical children's plays and Sinhala
translations of popular international plays Sanda Langa Maranaya (Blood
Wedding) and BernadageSipirigeya (The House of Bernada Alba) and
Kalumaali.
"After fourteen years again I got the opportunity to enjoy Sri Lankan
theatre and compared with my last experience I must say there's a huge
development that I see in Sri Lankan theatre.
Compared with the Korean theatre, the Sri Lankan theatre is a
combination of traditional and modern aspects which I understand is a
progressive character. In Korea, this combination is hardly seen.
Today, the most challenging aspect in theatre is the negligence of
traditional characteristics of theatre by the younger generation. I see
this problem in Korean theatre the most. Though the older generation
could bring the characteristics of traditional theatre pretty much
sincerely, the younger generations are not keen about bringing them any
further," she stressed.
"I had many opportunities to experience the Western theatre
productions for young audiences. Most of their productions for young
audiences have not followed the text but followed the creativity.
However, at the same time they too have not been given enough chance
to learn the traditions and culture which is important to portray in
young audiences performances.
Therefore, I'm grateful for the effort made by Somalatha Subasinghe
through the Play House Kotte (LCYTF) to share her knowledge in theatre
with the young people of the country. I'm willingly holding hands with
LCYTF Sri Lanka in future programs as well," she said.
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