Picasso's Paris studio at centre of bitter tussle
The 17th-century Hôtel de Savoie on the Rue des Grands Augustins in
the chic 6th arrondissement of Paris is one of the grand mansions for
which the French capital is famous. A greying plaque next to the
building's wrought iron gates, however, reveals added historic value.
"Pablo Picasso lived in this building between 1936 and 1955. It is in
this studio he painted Guernica in 1937", it proclaims.
Today, the Hôtel de Savoie has seen better days. However, the studio,
which Honoré de Balzac - whose name is also noted on the plaque -
described as "so large that the skylight fails to illuminate the
corners" and which is reached via an impressive entrance hall and spiral
staircase, is recognisable from photos showing Picasso at work here.
For more than a decade, *le grenier de* *Picasso* (Picasso's attic)
has been occupied rent-free by a private cultural organisation, the
Comité National Pour l'Education Artistique (CNEA), which has maintained
it as a venue for exhibitions and children's workshops. Now the
building's owners want it back and have issued an eviction order,
sparking a bitter legal row over the future of the studio.
The Chambre des Huissiers de Justice (Chamber of Legal Bailiffs),
which acquired the building in 1925, says it plans a much-needed €5m
(£4.3m) renovation of the Hôtel de Savoie. It says the agreement with
the committee expired in 2010, since when the organisation has
"squatted" the premises, ignoring requests to leave. Its eviction order,
upheld by a Paris court, gave the CNEA until Wednesday this week to get
out.
The CNEA has called on the French president, François Hollande, to
list the studio as a special "landmark" site, and has garnered support
from the great and good, including the actor Charlotte Rampling,
philosopher Bernard-Henri Levy and former Socialist culture minister
Jack Lang.
Picasso moved into the studio after separating from his wife Olga; 7
Rue des Grands Augustins was already familiar to him as it featured in
the opening scene of Balzac's The Unknown Masterpiece, a literary work
he admired.
It was here that Picasso sat out the Nazi occupation of Paris, a time
of alternating harassment and wooing of left-leaning intellectuals by
the Germans.
When one German officer tried to bribe the artist with extra coal to
heat his studio, Picasso reportedly refused, retorting: "A Spaniard is
never cold!".
In his book Conversations with Picasso, Gyula Halász, the Hungarian
photographer, sculptor and filmmaker known as Brassaï, wrote that
Picasso loved the spacious studio that made him feel "he was inside a
ship with its bridge, its stores, its hold".
Today, one of the ceiling beams still bears the hook Picasso liked to
claim Henry IV's killer, Ravaillac, was hung and tortured on, and among
the objects on display is a French flag Ernest Hemingway presented to
Picasso on the day Paris was liberated in 1944.
Alain Casabona, CNEA spokesman, told a press conference that losing
the studio was "hard to swallow".
"It was abandoned and we renovated it completely, respecting its
original state," Casabona told journalists at a press conference last
month.
"We have found someone prestigious and with enough money, who happens
to be a direct descendant of the Picasso family, to potentially rent the
building. They are not opposed to the CNEA staying. Negotiations are in
hand."
However, Alexandra Romano, chamber spokesperson, said no contact from
any potential buyer or tenant had been received and insisted the
eviction order stood.
"They [CNEA] have been squatters for years. They have to go." The
association has appealed against the judgment upholding the eviction
order. The Paris Court of Appeal will hear the case in September.
- The Guardian
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