Male domination in classical Indian dances
by Subashini Pathmanathan
The role of males in Indian classical dance forms is immeasurable. In
many Indian classical dance forms, such as Kathakali, Kuchipudi, Odissi,
and Bhagavatha Mela only male dancers performed in ancient times. In the
later years the females started participating in these classical dance
forms, except Bhagavatha Mela.
Kuchipudi is a classical dance form of Telugu Desha, based on drama.
Earlier, the male dancers dressed themselves as female dancers, but
later females started playing important roles in Kuchipudi. Today
Kuchipudi is the classical dance form of Andhra Pradesh, and female
dancers are the main participants.
The Bhagavatha Mela is another Indian classical dance form which has
close links with Kuchipudi. Like Kuchipudi this is also a drama based
dance, that's why it is considered as a dance drama. As in Kuchipudi,
oral conversations, take place, between the dancers and the musicians.
Bhagavatha Mela dance drama is still preserved and practised by only
the males. The special feature of Bhagavatha Mela is only preserved and
practised by the male Brahmin community. But Bhagavatha Mela dance drama
had laid down a firm foundation for the development of dance drama, in
Bharatha Natyam.
Besides these, Odissi dance has its origin from Orissa state. Earlier
Odissi dancers were males. They were called gotipuas. The male dancers
dressed themselves as females while they danced. It is essentially a
temple dance. Even today many of the Odissi dance teachers are Gotipuas
of yesteryears. The male dancers (gotipuas) still dance.
The music of Odissi is a fusion of Carnatic and Hindustani music.
Traditionally gotipuas were dancing on two important occasions. One
was Chandra Jatra and the other was Jhoolan Jatra. Initially this dance
form originated and was based on Vaishnava cult. And later it was also
cherished and adopted in Saivaism. In the olden days they adorned
themselves with many ornaments, but today they sparingly use ornaments.
Another Indian classical dance form is Kathak. It is a popular
classical dance form of North India.
In this classical dance form the male dancers play an equal role with
female dancers. Even in teaching Kathak, the role of the males is
equally important.
The male Kathak dancers wear simple costumes. They wear long pyjamas
and specially designed tops. They don't wear much ornaments, and they do
not have any hair dressing.
Kathakali is another Indian classical dance form based on Hinduism.
Even the female characters are danced by the male dancers, and still
males play a major role in this classical dance form.
Originally this was danced by the males alone. The male dancers were
called Chakaiyer. The music is totally based on Carnatic music.
The dance themes are generally based on various epics and puranic and
ithikasa stories.
Kathakali dance form uses heavy makeup and use different masks
appropriate to the character portrayed. Kireedam or the crown is worn by
the dancers along with the face masks. The ornaments are placed and tied
over the dresses.
Another Indian classical dance form is Manipuri. The male dancers
play equally important roles with the female dancers. The male Manipuri
dancers generally carry a different variety of drums, while they dance.
Sometimes while they perform they carry large cymbals (which are called
Kartaal) and dance. The male Manipuri dancers generally wear white
dhotis, and many times they do wear white turbans.
This is the special and distinct feature of the Manipuri male dancers
as compared to the male dancers of other Indian classical dances. They
hardly wear any ornaments. They do not even wear the ankle bells.
India's most popular classical dance form is Bharatha Natyam which
evolved out of Sathir. In ancient days, lots of male dancers danced
Sathir in temples.
They were called by various names, like Chakai Maraiyan, Poonan,
Santhi Koothan, Kootha Peeraiyan, Nattuva Aasan, and Araiyer. High
awards were awarded to these outstanding male dancers in the olden days.
For instance, 'Nattuva Kulothunga Chola Nirtha Peraiyan', 'Thiruvorai
Chakai Mummdi Chola Nirutha Peeraiyan' were some of the titles conferred
on the outstanding performers. Still there are a number of outstanding
male dancers and numerous dance teachers and choreographers who belong
to the traditional nattuvanar clan.
In the Indian classical dance forms, the males play important roles
with female dancers.
The contribution of males for the development of certain classical
dance forms are more than that of the females. Kuchupidi and Odissi
originally were danced by males alone. Bhagavatha Mela is still wholly
performed by the male performers, and in Kathakali, the male dancers
play more important roles than female dancers.
In Kathak, and Manipuri, the role of the male dancers is equally
important with female dancers.
In Bharatha Natyam, the most outstanding gurus are the males, and
there are a very few outstanding male performers in the present
practical field. |