Mirisaveti stupa and monastery complex at Anuradhapura
by Prof. Ariya Lagamuwa
Periods of the historical development of Sri Lanka is identified in
relation to the kingdom of which Anuradhapura is referred to as the
earliest and the Kandyan kingdom the last. The establishment of the city
“Anuradhapura” as the kingdom of the Anuradhapura dynasty by king
Pandukabhaya (5th century B.C.) was considered as the beginning of the
era; which ended with the shifting the capital to Polonnaruwa in 12th
century A.D. The Anuradhapura kingdom was confined mainly to the North
Central Province of the island.
Buddhist was officially introduced to Sri Lanka during the reign of
king Devenampiyatissa (241-207 B.C.) with the arrival of Arahat Mahinda
Thera, the son of Emperor Dharmasoka in India. His advent commenced a
new era and thereafter the history of the island was guided and
influenced mainly by Buddhism. A few years later a branch of the sacred
Bodhi Tree, under which ascetic Siddhartha attained enlightenment, was
brought to Sri Lanka with 18 families of different castes to perform
multifarious duties and thus originated a new cult of Buddhist rituals
and performances.
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Mirisaveti Stupa
Pic: Indika Edirisinghe |
The historical Buddhist architecture of Sri Lanka has a recorded
history which goes back to the last few centuries of the first
millennium B.C. For more than a hundred years, archaeologists,
architects and historians have studied, documented, excavated, and
conserved the monuments belonging to this tradition and examined
extensive literary and epigraphical records that are associated with it.
The research has provided us with a substantial body of information
regarding a remarkable archaeological, historical and religious record
of construction and design extending over millennia.
Ideological interest
Tradition and ideological interest in the history of ancient
monuments goes back to the time of the Pali chronicles in the early and
middle first millennium A.C., which are themselves based on earlier
records. Thus, for example, important events in the history of the
Mirisavati Stupa at Anuradhapura, are recorded over a period of about
1,325 years from its original construction in the reign of king
Dutugamunu in the 2nd century B.C., to its restoration by King Gajabahu
and others.
The Mirisavati Stupa or Dagoba with its moulded and carved
frontispieces, Ayakas or vahalkadas, the monastery plan seems to have
been of a centric type, with the stupa in the centre surrounded by other
virtual and residential buildings, corresponding to a high degree of
state centralisation that existed at the time. This building technology
was highly developed and is concentrated almost entirely in the use of
brick masonry with stone and mortar.
The Stupa is the characteristic monument of the Sri Lankan Buddhist
tradition. Its antiquity, both in the literary record and the
archaeological evidence goes back to the beginnings of the Buddhist
tradition in Sri Lanka in the 3rd century B.C. The largest of the Sri
Lankan Stupas, such as the Jetavana, the Abhayagiri, the Ruvanvalisaya
and Mirisaveti stupa at Anuradhapura are not only the oldest and largest
monuments of their type in the entire Buddhist tradition but are also
among the largest and tallest constructions in the pre modern world.
Sacred relics
The function of the stupa is to protect and proclaim the sacred
relics of the Buddha which it enshrines originally derived from the
tumulus or funerary mound, its circular plan and basically domical shape
surmounted by a towering superstructure constituted an enduring
structure and a distinctive and dramatic architecture form. It enabled
the worshipper to pay homage to the relics contained within and at the
same time became itself an icon or symbol to follow.
Throughout the greater part of the Anuradhapura period, the
Mirisaveti stupa occupied the principal position in the monastery, and
even when its primacy was rivalled by other ritual structures, such as
the temple, image house, bodhighara dwelling cells, chapter house,
refectory hall, hospital and assembly hall, it retained its ritual and
architectural status as a major structure in the central precint of the
religious complex.
The Mirisaveti stupa has eight distinct elements which may be
described as follows:
Two terraces or platform (stone and sand) Maluva, Thre plinths
pesava.s., The dome Garbha.s., The relic-chamber dhatugarbha.s,
The different elements of the superstructure above the
cylinder(devata kotuva.s., the umbrella or alternatively the spire
chattraor chattravali.s. the pinnacle kota.s, The four frontispieces
vahalkada.s. and The cosmic pillar yupa and the mast yasti.s.
Monument
The relic-chamber of the stupa was placed inside the dome or garbha
of it. This relic-chamber, although inaccessible after the completion of
the monument, contained figural and thematic murals, enhancing their
ritual and symbolic significance. The relic of the Buddha, the royal
spear and other sacred items were enshrined in the relic chamber. The
royal spear was the symbol of sovereignty and victory. Since the
Mirisavati dagoba is the one and only stupa where royal items are
enshrined with the Buddha's relics in Sri Lanka.
Discourse on Sallekha Sutta
Ven. Ududumbara Kashyapa Thera will give a six-hour public discourse
on the Sallekha Sutta at the Mihilaka Medura of the BMICH today from
12.30 p.m. - 6.30 p.m. It will be the last in the series of 13 six-hour
suttas that the Ven. Ududumbara Kashyapa has been delivering.
The Sallekha Sutta is a discourse on the gradual refinement of
character.
As explained by Bikkhu Bodhi, “the Buddha rejects the view that the
mere attainment of the meditative absorptions is effacement and explains
how effacement is properly practised in his teaching.”
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The other unique distinctive and ancient feature of the Mirisaveti
stupa is projecting frontispieces (vahalka/ayaka/adimukha) placed at the
four cardinal points (northern, eastern, southern and western) at the
base of the dome. These are oldest significant and most beautiful
creations among the frontispieces of the other ancient Large stupas at
Anuradhapura. These were ornamented with ancient classical stone
carvings sculptures and mural paintings. The other example with this
type of carvings and paintings is Kantaka Stupa at Mihinthale. The
carving of both places resembles stone carvings of the Sanchi Stupa (3rd
century BC) in India. The frontispieces of the western cardinal point of
the Mevisavat is the most significant and beautiful masterpiece amongs
the other frontispieces in Sri Lanka. This had dilapidated and conserved
after archaeological excavation in 1900s.
The archaeologists unearthed a relic-casket with the relics during
the excavations and handed it over to chief incumbent of the Mirisavati
temple. Some relics of the Buddha or his followers and other sacred
items were enshrined in the frontispieces by some other ancient kings in
Sri Lanka. Some of the relics were found in one of the frontispieces at
Abhayagiri stupa during its renovations.
Sacred city
According to historical records, Sri Lanka possesses the largest
amount of Buddha's relics so far unearthed from any country. In Sri
Lanka, Anuradhapura sacred city is visited by Buddhists and often
subject to their veneration as the most significant religious place
because of the largest quantity of relics deposited there in. As the
Mahavamsa (the great chronicle) mentions Mirisaveti stupa is one of the
earliest monuments built to deposit the Buddha's relics. It was built by
king Dutugemunu depositing the Buddha's relics together with his spear,
during his regime (161-137 B.C) as a mark of the end of armed struggle
fought for sovereignty of this country.
Subsequently, some of the kings who ruled Sri Lanka have paid their
utmost respect to Mirisaveti by depositing more and more relics and
valuable items as well as decorating the monument.
Among them king Gajabahu I (134-112) king Voharikatissa (214-236)
king Kasyapa (914-923) King Parakramabahu I (1153-1186) are foremost.
However, from time to time due to foreign invasions the city was
abandoned and Mirisaveti like other monuments was ruined as a result of
vandalism and natural reasons. During the period of British, Colonial
agents like Henry Parker and J.G. Smither started excavation and
revealed the true history of the monuments.
The 192 feet high present monument is the result of the endeavour of
faithful Buddhists pioneered by the late president R. Premadasa, who
initiated the renovation of the monument in 1991. It was completed with
patronage of Ven. Ethalavatunuwewe Gnanatilaka the chief incumbent of
the Mirisavatiya temple.
Many of the relics of the Buddha found from this monument were
re-deposited in the present monument and some were kept in possession of
incumbent monks who became the heads of Mirisavati temple in teacher
pupil succession.
Today Ven. Etalavetunuwewe Gnanatilaka thera is the incumbent and
head of the Mirisaveti temple under whom the main monument and its
surrounding historical site are preserved and restored to their original
condition.
Therefore, the relics presently in possession of Ven. Gnanatilaka are
no doubt genuine and an extremely invaluable inheritance of the Buddhist
world. The Buddhists are grateful to Ven. Gnanatilaka for his enormous
service for the preservation of Buddha's relics and the Mirisaveti
historical monument.
The writer is a professor at the Department of Archaeology and
Heritage Management, Faculty of Social Sciences and Humanities, Rajarata
University.
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