Flying without wings
by S. Thilakaratna
A few years ago, an Irish boy band calling themselves Westlife,
released a song titled "Flying without wings". Obvious to say it became
a hit around the world, leaving many people trying to understand what
this new metaphor meant. Although flying to humans is at a realistic
point of view is an obvious impossibility, having to fly without wings
would certainly pose a challenge even to birds. But in this case the
song meant the sense of euphoria one feels when one reaches or achieves
the ultimate goal, true happiness or a dream come true.
When one finds what he or she has been searching for in his or her
entire life. the flying is referred to the sense of joy one feels that
makes one "feel " like they are flying, even though they have no wings.
For some reason, humans have related "flying" to a sense of freedom and
fulfilment (tell that to an angry bird).
As the Irish boyband sings about finding true love comparing it to
like flying without wings, in Sri Lanka, the phrase "Aththatu ne eth eya
igilei" would mean something different. Flying without wings would give
the meaning of endless efforts or succeeding against all odds.
Sri lankan TV viewers are all too familiar with this phrase and
practically glued to their television sets on weekdays between 6.30 to
7.30 pm as the whole family gathers together to watch the family hour on
channel Rupavahini, these days showing the Japanese drama "Carnation "
translated into Singhalese as "Aththatu ne eth eya igilei".
Fashion designer
Written by Aya Watanabe and directed by Kenji Tanaka, the drama
series Which was aired on NHK Asadora (morning drama) slot in 2011, says
a story about a girl growing up to become a famous fashion designer.
Itoko O'Hara, a free spirited mischievous girl only 11 in the year 1924,
is mesmerized by the annual Danjiri festival. Originated in 1703, this
festival is one that pulls a Danjiri Matsuri cart along the roads by
healthy young men chanting slogans and playing music. The young girl
dreams one day to grow up to be the lead man of the festival who rides
the Danjiri cart during the festival.
But the innocent girl's dream is shattered when she finds that riding
the Danjiri cart is not allowed for women. Lost and confused by this
gender inequality, the daughter of kimono tailor Zensaku, eventually
discovers her passion and a new dream when she sees a statue of a dancer
brought from the west.
In a society where everyone wears the monotonous kimono, this
fashionable dress with frills worn by the dancer statue fascinates her.
And so, the journey begins. Despite the objections from her traditional
father, O'Hara Itoko somehow manages to become a dress maker for
European clothing.
The show takes us along her life through triumph & tragedy. A girl's
growth into womanhood during various obstacles of life and the horror of
the second world war. By the end of the war widowed with three daughters
this strong woman bring up her children to become international fashion
designers.
The story is based on the true life of famous fashion name Ayako
Koshino, the mother of famous international designers Hiroko, Junko &
Michiko Koshino.
Objections
Hiroko (Yuko in the drama) initially wanted to become a painter. Due
to her mother's objections, she turned into following her mother's
footsteps. But after seeing designs by illustrator Junichi Nakamura
opened her eyes making her realizing that dress making is not merely
sewing.
It can be expressed through pictures too. She studied at the Bunka
Fashion College in Tokyo and made her debut in Rome in 1978. Her elegant
styles are a blend between Japanese influences with western designs. For
instance one dress features a golden pine tree set on a black, while
another comes with a robe resembling an "uchikake" kimono coat.
Junko Koshino (Naoko in the drama) is known as an avant-garde
designer. Bold and a bit of a tomboy characteristics gives the edge to
her designs.
With high talents in oil painting, Junko too entered Bunka Fashion
College and even won the prestigious So-en award while she was a
student. She designed costumes for rock bands in Japan. She opened her
boutique in Tokyo named "Colette" . Her clientele includes Japanese
celebrities like lyricist Kazumi Yasui and Misa Watanabe founder of
Watanabe productions.
Believing that music and fashion are one, Junko chose Chinese folk
music to accompany her Paris collection in 1978. She has developed
strong ties with China also organised a show in Cuba.
The third sister, Michiko Koshino (Satoko in the drama) was an
accomplished tennis player and did not enter fashion school. She learnt
sewing design from her mother. Michiko is known for her sporty casual
styles.
She moved to London in 1973; her clothes have been a part of the
London catwalks since 1980. She moved to London not only because of the
vibrant music scene but also to stay away from the constant competition
between her sisters. On one occasion Michiko tells a reporter that she
sees her sisters as mentors in the industry rather than rivals.
Michiko Koshino's 1983 men's wear collection "Motorking" is now
considered as a collector's item, worn by David Bowie and Moby.
Michiko's clothing has been worn by many celebrities including the Spice
girls, Natalie Imbruglia and Placebo.
Cosmetics
Her clothing line later evolved in to including cosmetics, eye wear,
underwear and accessories. Her famous brands are Michiko London, Sudo,
Ta Feng, Mandom cosmetics, Mitsubishi Rayon casual wear. These are a
global sensation sold in Asia, Europe and the USA.
Her name is first in the minds of clubwear customers. She has even
created the first inflatable fabric and known to have involved in
designing the first environmentally friendly scooter for Honda.
Three daughters now veterans in the international fashion industry,
Ayako Koshino (Itoko) has come a long way since her humble beginnings.
She continued her career until the very late stages in her life and
lived in her home town kishiwada until her death in 2006 aged 92.
So that is the story behind Aththatu ne eth eya igilei. Whether it is
total happiness, finding true love or succeeding against all odds for a
little girl dreaming of riding the Danjiri cart to grow up to become a
fashion icon and the mother of international fashion moguls, is truly
something that would lift your spirit high above the ground. |