Martin Wickremasinghe:
A literary genius
by Rupa Banduwardena

Martin Wickremasinghe |
Surrounded by the lush scrub vegetation and vast tracts of coconut
land with plenty of scenic spots is a small but beautiful village,
called Koggala close to Galle.
Sri Lankans take much pride as it is an impressive place of cultural
value. It was at Koggala that Martin Wickremasinghe, the genius of the
Sinhala literary world was born.
He was born on May 29, 1891 to Bastian Wickremasinghe, known to the
villagers as Opisara Gedara Punchi Mahattaya. He learnt to read and
write from Andiris Gurunnanse as was the custom then and later he
attended the village temple to study under Ven. Deerananda Thera.
He enrolled at the Unawatuna, Bonavista College to pursue his English
education which he had to give up following the demise of his father.
This led to a new turn of events in his life.
He bade goodbye to his carefree life in the village, lakes and
jungles and left for Colombo to work under a businessman. Here he
devoted his free time to reading. Reading was his forte.
He very often used the dictionary to improve his knowledge of
English. Starting with Robinson Crusoe and Gulliver's Travels his
reading covered Dickens, Thomas Hardy, Tolstoy and Chekhov. Having
learnt English on his own, he acquired a comprehensive knowledge of the
world around.
He also went through ancient literary works such as Amavatura,
Buthsarana, Guttila Kavya, Loveda Sangarava, Subhashithaya and Sidat
Sangarava, a praiseworthy attempt to fulfil a timely need of the Sri
Lankan readership culminating in literary awakening.
He assumed duties in the Dinamina, followed by Lakmina, where he
performed an honorary service. He started a printing press of his own to
make ends meet. Having functioned as an Editor of three newspapers for
more than 15 years he devoted his entire life to reading and writing.
The journalist-turned-writer had mastered the technique of writing.
He enriched language and literature by writing books on a variety of
subjects ranging from social sciences, biology, philosophy, Buddhism and
fine arts. He wrote 14 novels first one being Leela, sub titled as
Rasawath Kathandarayak.
His famous novel Gamperaliya touched the hearts and minds of the
people of that era so much so a film was produced based on it. It left
an indelible impression in the minds of cinema lovers. Koggala with its
picturesque surroundings provided the backdrop to his writing.
Madolduwa written in 1947 is an outstanding example. It reflects how
the splendour and the grandeur of the Sri Lankan landscape has entered
into his writing. He had a mind prone to rural life. Not only Madolduwa,
but the majority of his literary works are village-centred. It is the
village atmosphere that has been highlighted throughout.
He had a sharp insight into life as is evident from his novels
Viragaya and Kaliyugaya written in 1956 and '57. They are his first
psychological novels which remained as masterpieces reflecting the
social strata of the day, and had an amazing acceptance by the society.
Considering the theme all three are supposed to be inter connected.
The trio, the Thunendutu navakatha is said to go down in literary
history as a landmark that changed the basis of the Sinhala society.
Those wonderful creations had become a part of their lives.
Wickremesinghe's contribution to drama too should be appreciated. Chitra,
Mayuri and Vijitha are a few of his excellent creations.
He wrote many more books on history, culture and literature. Sinhala
Sahithyaye was very useful to university students.
He was well versed in ancient literature and developed his own
independent style with his new theories of criticism. The modern use of
the language introduced by him still prevails for the present
generation. A carefully written autobiography completed in the twilight
of his life, gives pride of place to his birth place.
The numerous translations of his novels and short stories, poetry and
prose into English, French, Russian, Chinese is a clear indication of
his creativity, vision and foresight.
The museum at Koggala stands as a monument to his memory. He is
referred to as the "Rishi of Koggala" by the grateful nation, for his
magnanimous contribution to the literary world, ushering a golden era in
modern literature. |