Wolfgang Mozart:
Greatest composer of all time
A prolific artist, Austrian composer Wolfgang Mozart created a string
of operas, concertos, symphonies and sonatas that profoundly shaped
classical music.
Wolfgang Amadeus Mozart learned the piano at the age of three, and
soon developed his skills in all musical forms. Widely recognised as one
of the greatest composers of all time, he produced over 600 works.
Born on January 27, 1756, in Salzburg, Austria, Wolfgang Amadeus
Mozart was a musician capable of playing multiple instruments who
started playing in public at the age of 6. Over the years, Mozart
aligned himself with a variety of European venues and patrons, composing
hundreds of works that included sonatas, symphonies, masses, concertos
and operas, marked by vivid emotion and sophisticated textures.
Early Life
Central Europe in the mid-18th century was going through a period of
transition. The remnants of the Holy Roman Empire had divided into small
semi-self-governing principalities. The result was competing rivalries
between these municipalities for identity and recognition.
Political leadership of small city-states like Salzburg, Vienna, and
Prague was in the hands of the aristocracy and their wealth would
commission artists and musicians to amuse, inspire, and entertain. The
music of the Renaissance and Baroque periods was transitioning towards
more full-bodied compositions with complex instrumentation. The small
city-state of Salzburg would be the birthplace of one of the most
talented and prodigious musical composers of all time.
Wolfgang was the sole-surviving son of Leopold and Maria Pertl
Mozart. Leopold was a successful composer, violinist and assistant
concert master at the Salzburg court. Wolfgang's mother, Anna Maria
Pertl, was born to a middle class family of local community leaders. His
only sister was Maria Anna (nicknamed Nannerl). With their father's
encouragement and guidance, they both were introduced to music at an
early age. Leopold started Nannerl on keyboard when she was seven, as
three-year old Wolfgang looked on. Mimicking her playing, Wolfgang
quickly began to show a strong understanding of chords, tonality and
tempo. Soon, he too was being tutored by his father.

Leopold was a devoted and task-oriented teacher to both his children.
He made the lessons fun, but also insisted on a strong work ethic and
perfection. Fortunately, both children excelled well in these areas.
Recognising their special talents, Leopold devoted much of his time to
their education in music as well as other subjects. Wolfgang soon showed
signs of excelling beyond his father's teachings with an early
composition at age five and demonstrating outstanding ability on the
clarinet and the violin.
In 1762, Wolfgang's father took Nannerl, now age eleven, and
Wolfgang, age six to the court of Bavaria in Munich in what was to
become the first of several European "tours." The siblings travelled to
the courts of Paris, London, The Hague, and Zurich performing as child
prodigies. Wolfgang met a number of accomplished musicians and became
familiar with their works.
Mozart decided to settle in Vienna as a freelance performer and
composer and for a time lived with friends at the home of Fridolin
Weber.
As 1782 turned to 1783, Wolfgang was enthralled with the work of
Johannes Sebastian Bach and George Frederic Handel and this, in turn,
resulted in several compositions in the Baroque style and influenced
much of his later compositions.
He was able to revive much of his public notoriety with repeated
performances of his works. His financial situation began to improve as
wealthy patrons in Hungary and Amsterdam pledged annuities in return for
occasional compositions. From this turn of fortune, he was able to pay
off many of his debts.
However, during this time Wolfgang's mental and physical health was
deteriorating. In September, 1791, he was in Prague for the premiere of
the opera La Clemenza di Tito, which he was commissioned to produce for
the coronation of Leopold II as King of Bohemia.
Mozart recovered briefly to conduct the Prague premiere of The Magic
Flute, but fell deeper into illness in November and was confined to bed.
Constanze and her sister Sophie came to his side to help nurse him back
to health, but Wolfgang was mentally preoccupied with finishing Requiem,
and their efforts were in vain.
Death and Legacy
Wolfgang died on December 5, 1791 at 35. The cause of death is
uncertain, due to the limits of postmortem diagnosis. Officially, the
record lists the cause as severe miliary fever, referring to a skin rash
that looks like millet seeds. Since then, many hypotheses have
circulated regarding his death.
Some have attributed it to rheumatic fever, a disease he suffered
from repeatedly throughout his life. It was reported that his funeral
drew few mourners and he was buried in a common grave. Both actions were
the Viennese custom at the time, for only aristocrats and nobility
enjoyed public mourning and were allowed to be buried in marked graves.
However, his memorial services and concerts in Vienna and Prague were
well attended. After his death, Constanze sold many of his unpublished
manuscripts to undoubtedly pay off the family's large debts. She
received a pension from the emperor and organised several profitable
memorial concerts in Mozart's honour.
Wolfgang's death came at a young age, even for the time period. Yet
his meteoric rise to fame and accomplishment at a very early age is
reminiscent of more contemporary musical artistes whose star had burned
out way too soon. At the time of his death, Mozart was considered one of
the greatest composers of all time.
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