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Wolfgang Mozart:

Greatest composer of all time

A prolific artist, Austrian composer Wolfgang Mozart created a string of operas, concertos, symphonies and sonatas that profoundly shaped classical music.

Wolfgang Amadeus Mozart learned the piano at the age of three, and soon developed his skills in all musical forms. Widely recognised as one of the greatest composers of all time, he produced over 600 works.

Born on January 27, 1756, in Salzburg, Austria, Wolfgang Amadeus Mozart was a musician capable of playing multiple instruments who started playing in public at the age of 6. Over the years, Mozart aligned himself with a variety of European venues and patrons, composing hundreds of works that included sonatas, symphonies, masses, concertos and operas, marked by vivid emotion and sophisticated textures.

Early Life

Central Europe in the mid-18th century was going through a period of transition. The remnants of the Holy Roman Empire had divided into small semi-self-governing principalities. The result was competing rivalries between these municipalities for identity and recognition.

Political leadership of small city-states like Salzburg, Vienna, and Prague was in the hands of the aristocracy and their wealth would commission artists and musicians to amuse, inspire, and entertain. The music of the Renaissance and Baroque periods was transitioning towards more full-bodied compositions with complex instrumentation. The small city-state of Salzburg would be the birthplace of one of the most talented and prodigious musical composers of all time.

Wolfgang was the sole-surviving son of Leopold and Maria Pertl Mozart. Leopold was a successful composer, violinist and assistant concert master at the Salzburg court. Wolfgang's mother, Anna Maria Pertl, was born to a middle class family of local community leaders. His only sister was Maria Anna (nicknamed Nannerl). With their father's encouragement and guidance, they both were introduced to music at an early age. Leopold started Nannerl on keyboard when she was seven, as three-year old Wolfgang looked on. Mimicking her playing, Wolfgang quickly began to show a strong understanding of chords, tonality and tempo. Soon, he too was being tutored by his father.

Leopold was a devoted and task-oriented teacher to both his children. He made the lessons fun, but also insisted on a strong work ethic and perfection. Fortunately, both children excelled well in these areas. Recognising their special talents, Leopold devoted much of his time to their education in music as well as other subjects. Wolfgang soon showed signs of excelling beyond his father's teachings with an early composition at age five and demonstrating outstanding ability on the clarinet and the violin.

In 1762, Wolfgang's father took Nannerl, now age eleven, and Wolfgang, age six to the court of Bavaria in Munich in what was to become the first of several European "tours." The siblings travelled to the courts of Paris, London, The Hague, and Zurich performing as child prodigies. Wolfgang met a number of accomplished musicians and became familiar with their works.

Mozart decided to settle in Vienna as a freelance performer and composer and for a time lived with friends at the home of Fridolin Weber.

As 1782 turned to 1783, Wolfgang was enthralled with the work of Johannes Sebastian Bach and George Frederic Handel and this, in turn, resulted in several compositions in the Baroque style and influenced much of his later compositions.

He was able to revive much of his public notoriety with repeated performances of his works. His financial situation began to improve as wealthy patrons in Hungary and Amsterdam pledged annuities in return for occasional compositions. From this turn of fortune, he was able to pay off many of his debts.

However, during this time Wolfgang's mental and physical health was deteriorating. In September, 1791, he was in Prague for the premiere of the opera La Clemenza di Tito, which he was commissioned to produce for the coronation of Leopold II as King of Bohemia.

Mozart recovered briefly to conduct the Prague premiere of The Magic Flute, but fell deeper into illness in November and was confined to bed. Constanze and her sister Sophie came to his side to help nurse him back to health, but Wolfgang was mentally preoccupied with finishing Requiem, and their efforts were in vain.

Death and Legacy

Wolfgang died on December 5, 1791 at 35. The cause of death is uncertain, due to the limits of postmortem diagnosis. Officially, the record lists the cause as severe miliary fever, referring to a skin rash that looks like millet seeds. Since then, many hypotheses have circulated regarding his death.

Some have attributed it to rheumatic fever, a disease he suffered from repeatedly throughout his life. It was reported that his funeral drew few mourners and he was buried in a common grave. Both actions were the Viennese custom at the time, for only aristocrats and nobility enjoyed public mourning and were allowed to be buried in marked graves.

However, his memorial services and concerts in Vienna and Prague were well attended. After his death, Constanze sold many of his unpublished manuscripts to undoubtedly pay off the family's large debts. She received a pension from the emperor and organised several profitable memorial concerts in Mozart's honour.

Wolfgang's death came at a young age, even for the time period. Yet his meteoric rise to fame and accomplishment at a very early age is reminiscent of more contemporary musical artistes whose star had burned out way too soon. At the time of his death, Mozart was considered one of the greatest composers of all time.

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