Rare treat for theatre lovers
Nuthana Rangabhumiya
Author: Prof. Ariyaratne Athugala
Published by the Government Information Department
Reviewed by R.S. Karunaratne
Prof. Ariyaratne Athugala's Nuthana Rangabhumiya was launched
recently as a Government information Department publication.
It traces the history of drama in India and Greece and sheds light on
different aspects of performance, theatres, cast, music and make-up.
Chapter 2 explains the different types of stage and their evolution.
The illustrations that accompany the text facilitate the
understanding of a complex subject. The author has introduced the façade
theatre, amphitheatre, black box theatre, theatre in the rounds and
proscenium theatre.
Chapter 3 is devoted to a comprehensive discussion of drama tradition
and conventions. It is followed by a graphic description of drama in
translations. The author explains the authentic method and free method
in translating drama into author language.
Myths
Chapter 5 is on myths and creative communication. He draws
inspiration from Greek philosophers such as Xenophanes, Anaxagoras,
Aeschylus, Euripides, Socrates and Plato. The author touches on the
externalist and internalist theories.
Most of the chapters are directly related to Prof. Athugala's
path-breaking drama Mahasohon Samayama. It was an experimental drama
which received rave reviews from the press.
In chapter 9 the author discusses the different styles of drama such
as Kabuki, stylised drama and Nadagam. It is followed by comprehensive
description of characters and acting on stage. His views on dramatic
discourse, speech act and discourse act are authentic.
Chapter 16 is a candid discussion on whether Mahasamayama is an opera
or an epic drama. He says it is not a musical theatre although music was
used.
This is followed by different concepts of drama such as contemporary
theatre, naturalism, realism, regionalism, surrealism, expressionism,
theatricalism, absurd theatre, symbolism, existentialism, romanticism,
modernism and post modernism. Theatre belongs to transitory arts. It
changes from time to time. If is does not change, then there is no
drama. Prof. Athugala's Nuthana Rangabhumiya is a rare treat for theatre
lovers. With its colourful photographs and professional presentation, it
can be treated as a collector's item. |