Arts
Impressive performance by the Chamber Music Society
By Ranga CHANDRARATHNE
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The Chamber Music Society of Colombo
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Fast becoming one of the finest classical music organizations in the
region, the gleaming and state approved Chamber Music Society of Colombo
waltzed into the quaint city of Galle, saw, and conquered the hearts and
minds of all before them. The Galle Literary Festival did well in
inviting the Society to perform to a sold out concert held at the
historic 250-year-old Dutch Reformed Church in the Galle Fort.
Generously sponsored by the Embassy of the Kingdom of the Netherlands in
Sri Lanka, Ambassador Leoni Russell-Cuelenaere remarked on how she was
one of the biggest fans of the Society and that she and her embassy were
proud to be the sole sponsors of this major event.Lakshman Joseph de
Saram, the Artistic Director and Concert Master of the Society, thanked
the Festival and the Dutch Embassy for making it all happen, and began
the concert by quoting Germany's most famous man of letters, Johann
Wolfgang von Goethe, "Music begins where the word ends." Very
appropriate, since the concert could have been billed as the last
significant event of the Literary Festival.
Concert proper
The concert proper began with Johann Christian Bach's overture to his
opera Artaserse. J.C. Bach, the eleventh son of the eternal Johann
Sebastian Bach, was a composer of the classical era. He is also known as
the English Bach, due to the time he spent in the British capital. He is
most noted for his influence on Mozart's unique concerto writing style.
The opera is based on the Persian king Artaxerxes, and was first
performed in London in 1760. The overture in three movements was played
with the Society's usual brilliance, and right from the start, it was
obvious that the concert was going to be an exciting emotional roller
coaster ride.
Mozart's symphony number 18 in F major was written during the
family's years of travel. The F major symphony was composed between the
second and third journeys to Italy. Scholars regard this work as
Mozart's first symphonic masterpiece. Each of the four movements is
striking in unique ways. Lakshman Joseph de Saram's interpretation of
the symphony was very tense and angst driven. Even the gentle
melodically rich slow movement was taken briskly, leaving little room
for introspection. So was the Minuet and Trio, much faster than any
recording available. The last movement fared better; the musical line
was able to withstand the high speeds and the climax was thrilling.
The late great doyen of serious contemporary music in Sri Lanka, Dr.
Premasiri Khemadasa, was featured next. His prodigious output included
everything from art songs and award winning film scores to politically
charged operas and ground-breaking symphonies. To quote the composer on
the work performed, "It was only after I left the shores of Sri Lanka
that I realised how much I loved my homeland. Beyond Horizons was
written in the beautiful city of Prague, where I felt the need to
re-connect with that `something' that, until then, I did not know I
valued so much." This work was first performed in Sri Lanka by the
Society last year at a command performance for President Mahinda
Rajapaksa at Temple Trees.
It is a work of deep significance to Sri Lanka's living culture
because it represents the last piece of music of the maestro that speaks
in absolute musical terms of a very personal journey, that of his life.
Quiet requiem
Lakshman Joseph de Saram called it a quiet requiem for the master, a
very moving tribute that held great resonance to all of us in the
audience. American born composer Stephen Allen's Dawn of Kandula was
performed right after the intermission. We have written about this
topically relevant and stunning piece of contemporary Sri Lankan music
in an earlier review, so we will not repeat ourselves here. Although, if
we are to make a comparison of the two performances, we preferred the
outing at the Russian Cultural Centre last year. It may have had
something to do with the environment, one felt the brutal dissonances
and violent elephant cries slightly out of place in a church setting.
The piece is based on a chapter from the medieval Sri Lankan epic, The
Mahavamsa. The story deals with the unification of Lanka after a long
bitter battle between two great historical figures, King Elara and
Prince Dutugemunu. Stephen Allen uses Prince Dutugemunu's heroic
elephant Kandula as the focal point of his stirring orchestral essay. To
quote the composer, "this trilogy is my humble tribute to a country and
culture that I have grown to love." The Tomaso Albinoni concerto for
five instruments was a testament to the Society's wide range of playing
styles. One might say that it was the concert's unexpected highlight.
Unashamedly indulgent violin playing from the concertmaster that was
ably matched by his counter part the associate. Johann Dreyer's rare
Symphony, Le Sacre closed the program. A rousing and fitting ending to a
memorable concert. It is good news that the performance was filmed by
Cannes award winning Vimukthi Jayasundara for future release on DVD.
Prati Ru 2009 - layers of artistic excellence
Prati Ru 2009, the second exhibition of creations by Shashini
Ranasinghe was recently held at National Art Gallery. She was encouraged
by the overwhelming response she received for her first solo exhibition
held in 2005.
Inspired by 3D art, she began to make her own creations with
patience, resulting in true-to-the nature creations with depth. The
exhibition Prati Ru 2009 is also marked launching of Shashini's official
website at www.shashiu.com. Though she does not want to sell her
exhibits, she has decided to sell some of the exhibits and also to
launch series of exhibitions titled Vismita Vishkam in diverse parts of
the country to raise funds to help artists. The exhibition made up of 70
creations on the 3D decoupage was basically on nature. The complicated
process involves meticulous cutting of several prints of a picture and
pasting one upon another to make it 3D. Perhaps, Shashini's forte is her
innate ability to spot beauty and to make stunning creations out of
seemingly not-so-impressive pictures. The two roses was one of the best
creations where it would have been extremely difficult to paste one
layer upon the other. This alone shows her mastery of the craft.
The creation titled "Marriages are made in heaven" was a creation
where the glory of nature manifested in sublime beauty. The two spotted
deers stood in the middle of the brook against the backdrop of snow-clad
mountains. Given the minutest details, it would have been a daunting
task for the artist to make it three dimensions. However, Shashini has
done an admirable work with a precision which makes it a one of the best
creations displayed at the exhibition. Though one may think that the
process would be merely cutting and pasting, it should be stated here
that the process involves higher degree of artistic talents and an eye
for beauty. The selection of themes for the exhibition is also
remarkable in the sense it has not been confined to nature. The
collection included some of the magnificent landscapes and historical
personality similar to that of Jesus Christ. Apart from her excellent
selection of themes for her creations, her ability to make them three
dimensional, Prati Ru 2009 has introduced an art form to Sri Lankan art
scene. The exhibition among other things, has demonstrated the artist's
keen eye for beauty and re-creation. (R.C.)
Diversity art
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Michael Anthonisz and
Naureen Naqvi |
`Fusion 2009' an exhibition of painting, by Pakistan born Naureen
Naqvi and Sri Lanka Michael Anthonisz brings together different styles,
cultures, personalities and perceptions.Naureen sees her work as the
amalgamation of skills and perception, of a certain conception. She is
greatly attracted to the historic and spiritual perspectives of art and
the preservation of her cultural and architectural heritage and explores
its various dimensions.Michael Anthonisz' early works were largely
surrealistic in content and execution although he prefers to think of
them as belonging to the visionary genre, stemming from a life-long
study and close observation of the movement of athletes - notably
swimmers - his work invariably includes the human form, although he has
also produced some very interesting portraits as well as abstract
watercolour landscapes.He works in a variety of media, ranging from oils
to watercolours, pastels, pen and ink and charcoal, and has also
produced sculptures out of metal, stone, clay and 'found objects.'
Fusion 2009 will be on at the Barefoot Gallery, Colombo 3 from February
12 to 22. |