74th birth anniversary:
Gamini: Larger than Life!
by Prasad Pujitha GUNAWARDENE

Gamini in “Sagarayak Meda”
|
As I ready myself to bid goodbye to the historic 'Ancestral Home of
Journalism - Lake House', I write this tribute dedicated to a great
personality of our times. And, this could well be the final contribution
from my pen to the publications of this oldest newspaper institution in
this country as tomorrow is not mine.
I am more delighted as this final contribution of mine is devoted to
the legend of the Silver Screen, actor turned politician, the late
Gamini Fonseka, who was also my uncle. I feel privileged as this episode
is published in the prestigious 'Sunday Observer' weekly, edited by my
longstanding colleague Dinesh Weerawansa, a publication I worked with
dedication before moving to the Government Information Department, a few
months ago on secondment to head the state official website as
Consultant Editor. I returned to Lake House as the sun emerged on
January 27,the day after the presidential election. On my return I took
position at the 'Daily News' for a very short stint. I will now lay my
pen to rest in ten days time, to conclude a hectic thirty seven year
career with national newspapers. Be that as it may, today is film legend
Gamini Fonseka's 74th birth anniversary. Gamini was larger than life -
larger than the screen he loved. Though Gamini is gone, we still do
remember him. In him we saw somebody, a glamorous figure, who in his
time took the country by storm.
And, the poignant nature of his silent death is even more carved in
our hearts. It was in such a backdrop Gamini Fonseka earned his well
deserved rest.
Gamini Fonseka is widely accepted as a progenitor of the popular
Sinhala silver screen. He earned many accolades as a pointer to that
fact during his lifetime. It was Gamini's inborn talent and
contributions that advanced and expanded the Sinhala film industry. That
was the stream he represented most colourfully. Films directed by Gamini
Fonseka in the Sri Lankan theme touched many fans to emerge into a
national consciousness. Gamini was entirely self - taught in acting.
On the screen and outside, Gamini was a giant among the first
generation of actors in this country. Gamini Fonseka possessed a man
within himself, who did not lose faith in his creed, when everything
around him tumbled down and lesser men fled the scene. Unrepentant to
the last, he was ready to face challenges to uplift the film industry,
the profession he loved more than his wife, as once described by him.
The passing away of this great actor was another sad epiphany to the
film industry.
The sad epiphany that arose with the death of Gamini drove us to
sense that the film industry and the country at large, lost a man with a
quality of leadership that could never be replaced. As a politician,
Gamini placed public good over personal considerations. He demonstrated
that public office should be held on trust and it was an obligation to
be discharged by the people. And not a bounty to be freely enjoyed by
individuals.

Gamini and Malini in “Ohoma Hondada” |
The apotheosis of Gamini Fonseka certainly merits a chapter not only
in the film and political annals of Sri Lanka but also in the
socio-cultural saga.
He, in his lifetime covered himself with glory and dismissed
fantasy.Gamini embraced the national bosom of all communities to become
a fitting folk hero and a national icon. His film - Sarungale was ample
testimony, in which he played the lead role as Nadaraja Mahattaya, a
story based on a country tragically flawed by a self induced communal
problem.
Through his versatile film creations, Gamini drove us sense that he
belonged to a just minded generation that stormed the citadels and
bastions of the established elitist order. He revealed and demonstrated
the monopoly and the corrupt minds of the old established elitist. That
was the challenge he threw from his creation - "Sagarayak Meda". From
that film, it was displayed that elitist hold was irremediably broken.
And today people from all walks of life have found freedom in every
congenial sphere.
Gamini became an emblem of the oppressed class and smaller
communities in his country. Through his creations, Gamini looked a
unifier at sight in a country desperately trying to heal the wounds
inflicted by a fratricidal strife. His final creation - Nomiyena Minissu
in which incumbent President Mahinda Rajapaksa played the role of a
'General', demonstrated that Gamini's heart was in the right place of
authentic patriotism, a period of time, when so much of the fake and
counterfeit was the order of the day by merchants of the political black
market, who fought a war without proper political leadership and
direction.
This great actor's love and commitment towards reality was a greater
dream of this man. His 'General' in Nomiyena Minissu turned to be the
President and Commander-in-Chief of the country, just a year after
Gamini's death. President Rajapaksa gave the correct political
leadership to crush a three decade long terrorist war to establish
peace. Sadly, Gamini Fonseka was not alive to witness that glorious
achievement and historic moment of his 'General' in Nomiyena Minissu who
turned Gamini's greater dream into a reality.
The phenomenon of this great actor in politics was passion and
idealism. He was not a politician who came out of assembly lines,
well-shaved and groomed, trained by PR agents and 'witch doctors' of the
Western backed media, to smile at nonsense and crack words to please the
'white cobbler' breed. He never gave offence to any in politics.
But, spoke the truth and never took away the passion out of national
debate. He wanted the people to watch a vigorous political debate and
not a "Punch and Judy" show.
Gamini knew that there were 'Spin Doctors' not only in the Western
backed media but also in the Western film industry, who thought there
was 'cheap labour' in the Asian film market. Once a German film director
visited Gamini in Colombo, and invited Gamini to play the lead role in a
German sponsored English film that was to be shot in Germany. This
German had earlier viewed Gamini's English film -"Rampage" in which
Gamini played the lead role with British actress Mary Tamm. Their
discussion came to decide on figures, and Gamini placed his figure on
the table.
The visibly shocked German confessed, "This figure is even higher
than that of Marlon Brando".
"It should be, because Sri Lanka's Gamini Fonseka could well do much
better than Marlon Brando and Sri Lankan actors are not cheap as those
in the west", shot back Gamini.
A dejected German took the next available flight back to his country.
It was Gamini Fonseka who introduced 'Method Acting" to Asia, a method
later followed by some in the West.
He never believed to copy or to depend on fashion images that ended
up in bromides. Nor did he ever want to play the role of a 'Blair' to
look and sound like 'Clinton'. In flash and light, he never wanted to be
a great dandy.
Gamini was a serious actor. That was why his adventures in films
formed a saga of its own, as he progressed into more complex textures.
That was the colour and glamour in the characteristics of legendary
Gamini Fonseka.
As a nephew who very closely associated him, Gamini Fonseka was a man
who gave courage, guidance and strength to me. He always told me to
stand up with the head held high to face challenges. "Never let
injustices grow taller than justice before you", was what he told me
repeatedly. I have to date stood up to his great advice despite being
victimized at regular intervals.
Whenever I was wrong, he made me right. That's what made me believe
that Gamini Fonseka was larger than life.
I thank him in a different way because he spent his time to keep me
alert and alive to all and everything. His quality was tasteful from all
corners to the centre stage. When I met him the week before his untimely
death, he gazed at the sky and said, "There's somebody waiting up there
for me, I think my time is over". I dismissed his statement and asked
him not to be hypothetical. He shot back quoting Pluto on Socrates to
recall - "I respect Socrates, yet I respect the truth more"- and added,
"When the call comes I must go". He was a wonderful nature's creation.
May you be reborn as my uncle in every life of mine, beyond the
present. I miss you much till then. Your silent death brought the
curtain down on an era, an era of true innocence. |