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Sunday, 10 July 2011

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Prasanna Vithanage

Philosophy of life through the lenses

Prasanna Vithanage's entry into Sinhala cinema marks a seminal stage in the evolution of contemporary Sri Lankan cinema. Vithanage has devised his own grammar and syntax in cinema which is essentially Sri Lankan yet appealing to the complex sensibilities of international cinema.

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Encounters

Cultural citizenship in Indian popular cinema

[Part 2]

Vidya is introduced to them as a princess; she is very uncomfortable in that role and in that company. She is horrified but what she sees around her and is greatly disillusioned. Raju exults in his newly gained wealth, while Vidya much to his consternation,

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Cultural SCENE

The White Tiger and representation of contemporary India

In this week’s column, I would like to discuss, briefly, whether Aravind Adigar’s Booker Prize winning novel The White Tiger represents contemporary India. Although the booker prize committee has described the novel as ‘Post Post Colonial novel’,

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