Sanjeewee Seneviratne’s water colour paintings:
Surreal and real
According to the artist Sanjeewee Seneviratne
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Old eye hospital building |
The visceral and the visual… Transforming notion to vision… For
Sanjeewee Seneviratne, the process is the medium. A poet transforms
impressions of the mind using language as a medium, a dramatist makes it
into play with ‘sathara abhinaya’, he says, explaining that the same is
done by an artist using visual arts elements such as colours, lines,
forms and shapes, transforming the idea into a painting.
“The subject of painting has been created through a combination of
both the artistic and technical sides,” says Sanjeewee, who believes
what makes a person a great painter is the ability to fuse the creative
side with the technical side. Sadly however, he feels the youth in Sri
Lanka have bisected the two, with one lot focusing purely on techniques
and the other, just the artistic value. “The very balanced combination
of these two segments is rare and can be seen only in a limited
persona,” he says.
Given Sanjeewee’s ability to transform the everyday reality into
something surreal and beautiful, using colours and creativity with
undertones of technique, one could safely slot him with the rare few who
walk the balance, using technique to fine tune style and colour, and
creativity to transform ideas into shape and shape into substance.
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Galle face at evening |
Fascinated with water colour paintings since he came across the
paintings done by his art teacher, Obeysena Ranasingha, during his
school days, Sanjeewee decided early that water colour was the medium of
his choice. This was cemented when he met professional water colour
painter M.D.S. Gunathilake, and he began to build a style of his own by
studying their paintings.
Sanjeewee says his style was also influenced by Alvaro Castagnet
(Uruguay), Joseph Zbukvic (Australia) and Chien Ching Wei (Taiwan),
artists recognised as master water colour artists of the world.
An established artist with numerous exhibitions, locally and
internationally, to his credit, Sanjeewee prefers to paint landscapes,
though occasionally he likes to paint figures as well.
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Royal college |
Currently involved in transferring the colonial era into canvas, he
says the fundamental objective of his paintings is to depict the
lighting conditions and diverse atmosphere of the colonial era. He does
this using water colours, his favourite medium, which he describes as a
medium in which the artist could have the final result immediately.
Not very popular in Sri Lanka, water colour as a medium he says is
more challenging than others, because it is a live medium. “To be a
successful water colour artist, practicing often is very important and
every brush stroke has to be hundred percent accurate from the very
beginning till the very end. Simplifying any complicated subject matter
instantly is an essential skill of a water colour painter,” he explains,
adding that it is a usual habit of his to create sketches of the
selected objects as a preliminary study. This he says affects the
success of the end result robustly.
Detailing the numerous globally popular techniques such as wet-on-
wet, flat wash, pen and wash, he says the wet-on-wet technique is
considered the most demanding and lively technique. Of course it is the
technique Sanjeewee uses. He says the quality of materials used is also
crucial for the success of a water colour painting.
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Old parliment building |
Sanjeewee uses professional water colour papers such as Langton and
Arches 300 gsm rough paper, which are his favourites, and handmade
brushes. The latter he says he provides speedy, soft and wet brush
strokes that contribute grandly on the quality of his paintings. It is
also the kind of brushes favoured by the master water colour artists in
the world.
Sanjeewee is disappointed that the opportunities for newcomers to
learn water colour as a medium here in Sri Lanka is very rare.
“Newcomers don’t have any kind of support at university level. It is one
of the main reasons why water colour paintings are not popular in Sri
Lanka,” he says.
A former director of the Triwarna Fine Arts Academy in Gampaha,
Sanjeewee taught art at the Bopalagama Kanitu Viduhala, Bopagama and at
St. Thomas’ Preparatory school, Kollupitiya. He is currently the country
head of the International Water colour Society (IWS) of Sri Lanka and
was given the merit award for Landscape at the State Art and Sculpture
Festival in 2005.
Pictures provided by the artist
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