How do we, or should we, talk of incest?: Incest buried deep
underground in denial?
by Rikaza Hassan
The story of Sinhabahu, a widely acknowledged legend and critically
acclaimed play of the late Professor Ediriweera Sarachchandra relates
the origin of the Sinhala race. The story goes that Sinhabahu, son of
princess Suppadevi and the king of beasts, the lion, after committing
patricide and founding Sinhapura, takes his sister Sinhasivali as wife.
Their first born, the rebellious Vijaya is banished from the country
whence his boat washes ashore Lanka and he marries the reigning queen
Kuveni, giving rise to the Sinhala race. And, while all and sundry are
more than happy to boast of being descendent from a lion, hardly anyone
agrees to discuss the incestuous relationship that bore forth one half
of our ancestors.
'Incest' is a taboo subject to discuss, a taboo word to utter, a
taboo thought to think of. While people nowadays fashionably speak of
sexual relations, child abuse and rape in a knowing manner, they
nevertheless maintain a distance in fear of the word 'incest'.
And, while most of us will always consider incest to be both immoral
and criminal, it was not always so, says Jagath, a student of history.
"From Sinhabahu to Oedipus of Greek mythology (Oedipus inadvertently
killed his father and married his mother who bore him daughters), to
even Ramayana - certain scholars believe Sita to be the daughter of
Ravana who had sexual relations with her and hence Sita was cast out by
Rama." He adds, "Incest did not receive the degradatory treatment of
today, in the old days. It is all due to the colonial influence that has
shaped our culture so much."
Whilst talk of incest might give us goosebumps, or even cause lack of
appetite, should it nevertheless be brought out to the forefront and
discussed in the open? "I think incest should be spoken of in terms of
other than whispers, because I believe that it is better to be educated
about it than ignorant of it. This is especially true in the case of
children who are abused in incestuous relationships," remarks Saleem.
At a time, in a culture where conception and contraception is not
taught, where children still grow up believing that a mere kiss will get
you pregnant, where AIDS and other sexually transmitted disease spread
like, well viruses, incest has been buried deep underground in denial.
The lack of awareness of incest is especially disturbing, considering
that post-incest trauma, if not properly treated - and treatment may
take years of one's life - it could put a stop to ever living a
fulfilling life.
Child incest victims are referred to as "secret survivors" by
therapists, as there is usually no one to support them, let alone listen
to their self-loathing, confused and angst ridden tales. Victims may
live their entire lives in denial, in nightmarish flashbacks and
suppressed anger and frustration threatening to surface.
The more uninformed child might not even understand that the sibling
or parental abuse inflicted upon him/her is in the wrong and will tend
to continue the cycle of abuse on his/her child or sibling since the
child is not made aware from the beginning, of incest.
Incest was literally thrust in our faces recently with the
contentious banning of the art film Aksharaya - Letter of Fire by the
controversial Ashoka Handagama. Aksharaya, which deals with the
incestuous relationship between a local mother and child, was banned.
Even if Handagama's exploration of incest is never widely seen,
incest is to be found in both fact - the incestuous sibling relationship
of my colleague's neighbour, and fiction such as the freely available
incestuous pornography in any adult video or book store to non erotic,
mainstream works such as V.C. Andrews' 'Flowers in the Attic' novel in
which brother and sister maintain a loving relationship to Arundhati
Roy's 'The God of Small Things' where fraternal twins engage in an
invigorating sexual experience.
As for Aksharaya, however, mother to be, Mrs. Lal believes incest
should not be depicted in cinema or other media. "There are people in
this country who believe that anything that is shown in the cinemas or
television is acceptable to engage in. If the film is screened, people
will come out of cinemas believing that incest too is alright. And
imagine the impact it will have on the minds of young children.
Children will end up looking at their own mothers in a sexual way. It
will lead to corruption and sexual violence." And though Aksharaya may
carry the tag of 'adults only', it will not stop the widespread
distribution of copies that will ultimately land in the hands of minors
with a pc nearby and plenty of time in their hands.
So, while we embrace history, we turn away from the facts. We speak
in whispers of blasphemy, yet leave our children illiterate and
vulnerable to the increasing dangers of society and within the family.
While it is always prudent to draw the line, where will the line be
drawn when incest is never spoken of in the open?
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