Arts
The Impossibility of the Perfectly Ordinary
“Dreams Factory”, exhibition from June 8-30 at
Alliance Francaise :
by Ranga CHANDRARATHNE
“Life on the surface - just as much as the life I seek for myself-is
perfectly ordinary. But in reality there is no such thing as a Perfectly
Ordinary Life. The idea is more like a Blissful blindfold” seems to be
the motto behind Vajira’s elegant brush strokes that finally converted
into paintings.
Vajira Gunawardena uses his own life and that of people around him as
a point of departure to explore society’s obsession with materialism,
instant gratification and our inability to confront the growing disease
of human insensitivity in the world that surrounds us. He often makes
himself the main protagonist in his works.
“I regularly ask myself: why is it so hard to just seek a perfectly
ordinary day-to-day life? But the idea of “Perfectly Ordinary Daily
Life” comes from a narrow perspective drawn from a very limited point of
view. Perhaps the idea of the Perfectly Ordinary Daily Life is nothing
more than a blissful blindfold behind which we can quietly spend our
days.
Whatever it is that boils under the surface of everyday life
threatens to become neglected and it is through art that I want to make
the abnormalities emerge. Art is the gleam in the thick of darkness or
the shadow in the light of day” says Gunawardena.
His paintings and drawings make use of repeated imagery: fried
chickens, skulls, television sets, mass media heroes, three wheelers,
and bodies with enlarged sexual organs and stomachs x-rayed to expose
their content. Vajira believes that people place more value on
accumulated material than themselves.
The crust of his message is that people find material things more
important than themselves or others. The special gift of our existence
is ignored and ultimately undermined by our constant desire for the
trivial.
Despite the beauty of life itself, we can’t manage to cherish it.
Instead we destroy everything with our need for more and more things
until in the end our obsession with everything new and modern will
eventually draw us further apart from each other.
There are different thematic topics: I Will Love you on Sunday, If on
the forsaken land a Traveller and Master Bedroom each explore the
concept of self and society from a different angle.
Love - the most rewarding of emotions-will have to be contained, as
he visualizes in the series ‘I will Love You On Sunday”. Busy lives will
not allow for love outside our diaries. The constant need for economic
and personal advancement comes first. Everything else is secondary.
His observations of the state of the world are translated into bold,
cartoon like, colourful paintings. He occasionally borrows motifs from
traditional art and freely mixes these with elements of popular culture
in a way that compares to the neo-expressionism of the 1980s,
popularized by artists such as Jean-Michel Basquiat and George Baselitz.
Magnificent array of dancing
‘Thala 2008’ by the Channa-Upuli Performing Art
Foundation:
By Ranga Chandrarathne
[email protected]
Perhaps the singular characteristic of ‘Thala 2008’ is the
choreographer’s ingenuity in designing modern exquisite piece dancing
from the tradition which is unique to Sri Lanka.
This year’s performance consists of four segments and the first part
of the performance will make up of Sri Lankan traditional dance items.
Highlights of the performance include mini-ballets such as ‘Kuveni’,
‘Sath Paththini’ and Sri Lankan ballet ‘Sigiriya’ which will last for
one hour. One Kanny-Gaja is an item based on piece music segment ‘An
Year Ago’ that Kannygi composed while he was in Kandy.
‘An Year Ago’ was based on Gajaga Vannama. This particular item is
based on the composition “An Year Ago’ and the Gajaga Vannama. Another
item of the performance is based on the melody ‘ Nim Him Seauva’.
Music for the pieces is by Ruwan Weerasekara, only violinist who
played for a theatre in Russia. Music for the “Sigiriya” ballet is by
Jannatha Warakagoda and ‘Ravana’ ballet is by Aruna Lyon. Music for
“Kuveni” is composed by Ranga Dassanayake. However, Jannath Warakagoda
will be in charge of overall music of the performance.
A significant characteristic of Channa-Upuli Performing Art
Foundation is that it is the blend of Chithrasena Kalayathanaya and
Panibharata Kalayathanaya, a blend of rich traditions. Channa attributes
his phenomenal success to the spirit of innovation which even highly
appreciated by Prince Charles following a performance at President’s
House.
It is not only the blend of diverse traditions but also infusion of
modern techniques of choreography and lighting that makes performance on
par with best international dancing troupes.
‘Thala 2008’ will be held on June 11 and 12 at the Bandaranaike
Memorial International Conference Hall and the highlights will telecast
on Rupavahini.
The Day Will Come...
Centre Stage Productions is now rehearsing their latest production
which boasts a stellar cast and a beguiling script.
The play titled, The Day Will Come..., marks a return to serous
theatre for the troupe, and will be performed at the Punchi Theatre,
Borella from the 12th - 15th of June 2008 at 7.30 p.m. The theatre
troupe’s recent successes include the sell-out productions of Caliban’s
Rebellion and Pyramus & Thisby.
The Day Will Come..., which is written & directed by Jehan Aloysius,
was shortlisted for the Gratiaen Prize for literature in 2000 in a
collection of plays titled The Screaming Mind.
The production boasts of a stellar cast of prominent English theatre
personalities which includes Mohamed Adamaly, Prasad Pereira, Rajiv
Ponweera, Shanaka Amarasinghe, Natalie Blacker and Wanda Godlieb,
supported by Michelle Herft, Sashane Perera and Geethicke de Silva.
The Day Will Come... is set in the future ‘somewhere, sometime’,
where a young demented dictator passes a radical law to gas everyone
over the age of fifty five in order to solve the issue of
overpopulation.
This supreme patriarch, believing that he is ‘making way for the
new’, declares that it is a ‘wastage of resources keeping Elders alive
when they are no longer productive’. The result is a war on the Elders
which leads to a group of ‘geriatric rebels’ taking refuge in an
abandoned factory.
Trapped in their underground hideaway they hope to live out the rest
of their lives, though with the constant fear of the young. As other
groups of Elders are captured and gassed, they realise it is a matter of
time before they themselves suffer a similar fate. In desperation they
seek new ways to survive and even fight back.
The Day Will Come... is a surreal and gripping look at certain very
real issues. As the show’s creator Jehan states, “In a sense the play
can be termed as an allegory that deals with ageism, the abuse of the
elders, as well as the effects of progress and overpopulation in
societies around the world.”
Juggle (Es-Banduma)
Wilson Gunaratne’s latest creation “Juggle” (Es Banduma) would go on
boards today at 6.30 p.m. at the Elphinstone Theatre.In the hilarious
comedy, most popular artist Wilson Gunaratne would portrait eight
different characters.
The story rotates around a film studio ‘Janatha Studio’ (People’s
Studio) trying to produce a film with a national concept. The ‘Janatha
Studio’ was established on February 4, 1948.
The directors have not been able to produce the right film with a
national concept for the last 58 years due to various reasons. The main
reason could be that the authorities have failed to select the right
cast and a suitable script.Viewers do not give up hope of watching a
meaningful film.
The directors and the team of the studio have failed in their duties.
Perhaps the above conflict could be the true political scenario of the
Dreamland, in the close vicinity. “One has to see it to believe it...”
The cast includes... Wilson Gunaratne, Ramani Fonseka, Petra Schantz
(from Germany), Gamini Hettiarachchi, Susil Perera, Premaratna Tennakoon,
G. Chandrathilak, Wijeratne Naullage, Krishan Widuranga and Ranmini
Ketagoda and music by Osanda Gunaratne.The controversial witty comedy
has been organised by the Lions Club of Colombo. |