A visit to the real Egypt
by David Rich
A decade after first sampling Egypt's pyramids, temples, obelisks,
and other tourist traps (for ease of collective reference, mummies), I
returned curious. Had Egypt changed, and did it offer any attractions
outside its well-worn mummies: the Pyramids, Sphinx, Egyptian Museum,
obligatory cruise on a Nile hotel boat, ornate temples, and looted
tombs, Surprisingly, I found viable alternatives to trodden tourist
tracks.
Rack and Ruin
The Egyptian Museum prohibits photos that ten years ago could be
freely snapped, memorializing the colorful Tut treasure and hordes more.
The museum briefly allowed photos without flash but tourists sneaking
flashes required imposition of a no camera policy.
In addition, except for the Tut stuff, the Museum has gone to rack
and ruin with dusty, shabby, and forlorn exhibits. Any idea of
maintenance seems an alien concept.
Yet tourists flock to the Egyptian Museum as to nowhere else, anxious
to see a rainbow of Tut in a rambling building such a shambles it' a
wonder they haven' somehow misplaced the building itself. Perhaps this
is because a new Egyptian Museum is being built beside the Great Pyramid
of Giza, due to open in 2009.
A day' flurry through the usual Pyramids and temples ended with the
Sphinx, which suffers a combination KFC/Pizza Hut 100 meters directly in
front of its fortunately missing nose, the same as a decade previous.
For relief, I walked around Coptic Cairo, competing for space with
European tourists from Catholic countries, and it wasn' worth the
effort. But after a few hours strolling Old Islamic Cairo alongside
sidewalk feasts and through atmospheric souks of gold, silks, carpets,
spice, and incense, I was happier, spotting few tourists, far friendlier
locals, and candid photo opps. The Oases of the Western Desert.
I resolved to break out, escape the Nile corridor, and see what the
real Egypt held. So I jumped on a truck with an overland group headed to
the Western Desert Oases, and found a country almost untouched by
tourists. Because of the intense security imposed after the 1997 tourist
massacres at Luxor and the Egyptian Museum, getting around is a real
pain in the keester, often requiring travel in police-escorted caravans.
We had no one to caravan with, but were instead stopped by roadblocks
every thirty miles for an inquisition about our nationalities and
inordinate delays for the copying of the truck's license number onto a
grubby scrap of paper that would see the light of no other day, finally
grinning cheerily as we were at last waved through.
The bureaucratic dithering by grungily dressed cops was almost
reassuring. Egypt will never again risk its primary so rce of hard
currency, the foreign tourist.
Blissful Peace
In five days I saw a single other tourist who happened to be staying
at the same Bedouin camp. Otherwise, in blissful peace, we sampled the
gorgeously muraled tombs of Qarat Qasr Salim at Baharayya Oasis, and
sprung for extra blankets to combat chilly desert nights.
The proprietor of the eclectic Badr sculpture and art gallery at
Fafafra Oasis confided that his controversial nudes were sparked by a
reaction against an uptight culture and religion, a response that seemed
mild in the circumstances.
We shared a sheesha water pipe on the sprawling dunes near El Dakhla,
quaffed mint tea, and spun travelers lies with Samit, our
four-wheel-drive guide. Samit doubled as a bongo drummer, flautist, and
purveyor of dry goods as we sprawled smoking on cooling sands dimpled in
scallops and pink as the sun chillily yielded to a nearly full moon over
the Western Desert.
Karnak Temple
At Al Bagawat near El Kharza we explored a dozen of the hundred
Coptic tombs, 2nd to 7th centuries, modeled in adobe Roman arches,
decorated inside with colorful Biblical scenes. But the highlight was
The White Desert with miles of eerily sculpted domes, spires, pointy
rocks, and silhouettes of unlikely origin.
A thrice-wrapped blanket came in handy, for surfing a rosy sunset
over shapes forged in active imaginations.
The lonesome Western Desert was too soon replaced by the tourist
traps of Luxor. Among numerous World Heritage attractions Luxor boasts
the largest Egyptian temple, popularized by Johnny Carson in his
inimitable role as the Great Karnak.
Karnak Temple has it all, from a reflecting lake for
National-Geographic-photo look-a-likes and statues taller than lofty
palms to an acre of fatso columns spiked with hieroglyphics and
sprinkled with dynamic dead gods and goddesses.
On the sunset side of the Nile, the land of the dead, sits the
Valleys of the Kings and Queens. These consist principally of sacked
tombs, photography forbidden of these magnificent five thousand year old
stone wall carvings and murals in musty ocher, burnt sienna, and blowsy
blue.
To recall them clearly you'll have to buy an expensive CD or cheap
postcard. We mounted rickety Egyptian bicycles, pedaling ten kilometers
(six miles) through the two Valleys as hot air balloons rose over the
mosque-tips, mirrored by a tardily retiring full moon over romantic
feluccas scudding the Nile.
The only site for photography in the Valley of the Queens is the
expansive three-level temple erected by Egypt's only female pharaoh, the
redoubtable Hatshepsup. She married her half brother, donned the
traditional false beard, adopted the cow as a talisman, and for 22 years
from 1472 to 1458 B.C.E. took women's lib to its logical limits.
The Good Ship Bob Marley
Avoid the stodgy Hotel boats crammed with first-world stuffed shirts
plying the Nile between Aswan and Luxor. A far more satisfying
experience is to sail the Nile on a felucca with its inherent peace and
quiet, home-cooked Egyptian meals (salsa-like salads, spicy potatoes,
fried chicken, and mint tea), and absence of waiters and tour leaders
scrounging tips.
Of course it probably doesn't hurt if the name of your felucca is Bob
Marley, with four wacky hosts faithful to their moniker.
The highlight of tourist Egypt is Abu Simbel, the great seated
statues of Ramses II saved by UNESCO from permanent immersion by
250-mile (400 Km) long Lake Nasser formed by the Aswan High Dam in the
1960s.
The downside of Abu Simbel is the caravan-departure time of 4 a.m.,
requiring an exit from bed at 3 a.m. in order to catch the morning sun
on statues facing east, wrung out after a lickety-split drive of three
hours.
The next day we put the overland truck on a Lake Nasser Barge and
boarded a ferry for Sudan, the epicenter of an eight-hour helter-skelter
chaos that finally cast off to deliver us from the unchanging tourism of
Egypt and its mummies dearest.
When you go
Fly to Cairo from the furthest point in the world for about $1000
roundtrip, if you shop around.
A passable double room in Cairo will cost $30 and way up, while in
the tourist cities of Alexandria, Luxor, and Aswan a decent double can
be had for $30.
If you explore the western oases, stay at the Bedouin Camp five
kilometers north of El Dakhla/Mut, which offers nice doubles for $10.
Egyptian merchants double their prices for tourists. |