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Sunday, 5 April 2009

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How often do we think of drama in the form of puppetry? Don’t you think puppets have hearts too despite their look? Today, all that changed when the British Council staged ‘Low Life’ a puppetry extravaganza.

Presented by the Blind Summit Theatre, UK, ‘Low Life’ is just as its title suggests. Never before have puppets ever been thought of as near human-like forms which are bound to stun you.

Lightly based on Charles Bukowski’s intoxicating stories, this production is a range of astounding impressionistic scenes that exude creativity. Encompassing still-life characters from the tiny to the life-sized versions, these puppets reveal that even effigies made of cotton and cloth have `souls’ too, provided they have the right ‘fingers’ to keep their toes tapping.

Various selection of events include a man dancing a love duet with a beer glass which is hilarious, an old Chinese cleaner getting lost in a romantic novel and a diva who drinks to forget. The lead actor Bud plays the action-hero-plumber who tragically drowns under a bar and the smaller-than-life private investigator Jack Belane makes a mess of the case. With dexterous skill, the four-member Blind Summit troupe takes you on a whirlwind tour into the heart of each story, changing the mood from subtle nostalgia to extravagant emotions.

“That’s a perfect example of the problem,” says one of the puppeteers, rueful and wry. “Beautiful puppetry leading to book damage.” All the characters were fashioned by talented Blind Summit designer Nick Barnes.

With beauty and charm in every one of these still-life people, they have created voodoo magic on stage with the skillful hands of the company. The variety of realism makes different styles and moves all the more exciting to watch. However, such technical meticulousness only provides a base for surreal moments that catch the breath, as when these puppets perform action miracles.

It is rather fun to see the tiny puppet in a twist of a Mission Impossible scene where he makes his clambering moves over the chairs and climaxes it with a leap through the air.

Then the audience is taken to the poignant scene of the businessman barfly, nursing his last beer of the evening as Jacques Brel croons ‘Ne Me Quittes Pas’. “Never fall in love with a puppet,” Blind Summit advise, but they make it awfully hard not to.‘Low Life’ is a blend of story, music and puppetry: a beautiful, funny, poetic, moving gin-soaked cabaret of deadbeats and losers in a world where puppetry meets Tom Waits. Your world will never be the same again,they say.

The characters are represented by puppets and are beautiful in themselves for they attain a magical grace in the hands of the company. We hope the British Council brings more.

- Nilma

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