Creativity in classrooms
by Shireen SENADHIRA
Is there creativity in our classrooms? Please look around and see. Do
we have facilities for independent study or adventurous enterprise
helped by dedicated administrators, teachers and parents?
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Children at play in a classroom |
When families, community and values are strong, schools become strong
and then the nation too is strong. It is thus, because, family
community, religion and cultural groups expend something much more
valuable than money on education of their youth. They have the time and
social resources to support a successful learning environment.
Over four or five decades ago, education of students was sustained by
five giants of support. They are: families, culture, religion, community
and school. Unfortunately at present it has dwindled. The high rate of
divorce now, the need for both parents to work out of home for economic
reasons has shaken the ability of families to focus and support the
education of their children. Job change, housing mobility of low income
groups, high cost of living and divorce has destabilized the community.
If the trend continues, students will be greatly disadvantaged. This is
mostly due to a mismatch of values, experience and resources of home,
community and school. When students don't have the support of a family,
community, religion and culture, the school is expected to increase its
share requiring more money.
Money is an important source but it alone becomes a poor substitute
of the above mentioned criteria. Contending with such problems as it is
how can creativity play its true part?
In the aspect of education and creativity, the most natural resource
is the minds and hearts of our children. Their curiosity and the
eagerness to learn that they display and their decisions in difficult
and complex issues will decide the future of our country. A great mass
of young people, the serious and thoughtful children, the despairing and
alienated youth, the aimless, the downtrodden and the affluent, we need
them all, if we are to preserve our island and build a future worthy of
all persons. This can be arrived at only, by assisting the children to
learn deeply and broadly, keeping their creative spark aglow and to
guide them as to how it should be done.
How will students make judgments later if they don't get a chance to
make judgments now? 'O'Level and 'A' Level students will soon face a
world full of controversy in social, national and international as well
as personal issues. Cramming up and the spoon fed attitude that prevails
in schools now, will not prepare them for life in this difficult world.
In their future, the children will be involved making decisions,
judgments and choices in their lives, their families and their society.
How can they, when they have little or no experience in school to
prepare them for such? They will not engage in discussions in
controversial matters, hardly face new and complex problems that need
solutions and therefore will not take up responsibility and abide by its
consequences.
Creativity plays a key role. We need young adults who can think and
act creatively, who value human life and are able to discern and decide.
They should also know how to communicate and negotiate rather than
fight. It is up to us to use our responsibility as guardians of these
values to establish learning environments that foster freedom and
responsibility. The future of our nation lies on the creative life force
in each child. As teachers and parents, we hold the bud of creativity in
our hands. It can be easily thwarted. The following statements show this
clearly. 'The art teacher gave me a C, so, no more art for me,' or 'I
gave up the subject as I had to learn a heap of stuff which has no
relevance to my life,' or 'Teacher is so down on my writing, so, I don't
want to study.'
We must believe in our youth. If you can or do spend time with them,
you will know for certain that they have the capacity to surpass us in
original, constructive and resourceful thought and action. But it takes
much care and person centered learning to make children blossom. To
foster creativity, curiosity should be encouraged not curbed, as well as
experimentation with support and constructive criticism. Value should be
given to the creative process more than the product and value individual
freedom and responsibility rather than dish out predetermined goals of
the teacher.
Basic education is a must and a right of every child. At this time
the child will learn reading, writing and arithmetic. A common example
at this stage in learning and memory is that two plus two make four. The
child when playing with his blocks or dolls finds that two and two
indeed make four, which is a significant discovery to the child. A child
who is learning to read in a laborious way may come across a story or a
comic strip one day and will react to it and find that she reads it and
will feel the magic power of words to take her into another life and
thus she has really learned to read. Also in language learning, if a
child is placed in a foreign land, the child will learn to speak the new
language with perfect diction without any language instruction. Thus the
child would have learnt the language in a significant and meaningful way
to her. These examples show that the experiential way of learning is
better and fosters creativity too.
In secondary education, tradition, culture with history, geography
and literature will be more attractive to students, if they do projects
on them, where they have to find out for themselves from books and
people allowing their creativity to flourish. Literature can be taught
in drama and recitations, where they can research the period comprising
the drama and its people. The reading, writing and analysing a play or a
piece of literature only by swotting books will be dull in comparison.
Thus the freedom to learn their subjects in different ways is portrayed.
In the case of history, sites can be visited. This would be a bonus to
the students. Even a film about the subject in the case of distances
being too far will help immensely than book reading, as these will
create lasting impressions on the students.
At the end of a week or end of the project, feedback is necessary.
This information helps students to refresh their minds. Listening to the
students instead of all the time telling them what to do, helps in
confidence building of the students. This frequent evaluation, either
individually, in groups or the entire class itself is of great benefit
to both parties.
Therefore, in learning, creativity should not be sidetracked but
encouraged.
Quite unlike the teachers, who don't like students questioning too
much, thinking it as disruptive rather than eagerness.
Learning is the insatiable curiosity that makes the adolescent mind
absorb everything he can see, hear or read about a topic. The student
who discovers, drawing in from the outside and making it a real part of
himself is learning in the experiential way. Memorizing facts and
writing it on paper involves the mind only. It has no relevance for the
whole person and this is in contrast to meaningful and experiential
learning. A simple example of this is a toddler touching a hot cup of
milk learns for herself the meaning of 'hot'. This way the child grasps
the essential before he understands details. It is intuition too and
this experience makes creative leaps. It is associated with the feeling
qualities of life.
A child must learn for himself. To this end he must have time for
himself.
A village lad has a great advantage over a town student in this
respect. In the town, I have seen when school is over, children are
bundled into their vehicles. Some are given lunch in the vehicle itself
and taken to tuition classes, sports and music or art classes. When they
finish and reach home, it is well into the evening. This routine
continues and they are left with very little recreation during the week.
Then it is wash time, homework, dinner and bed.
A regimental routine indeed. In comparison, the village lad has a
long afternoon ahead of him after school. He will fly his kite and run
along the grass fields trampling the fresh grass and feel the wind on
his face, an exhilarating experience indeed. He will play all evening
and then wend his way homewards. When dusk turns to night, he has time
see the fireflies dance weaving shining patterns and their magic spells.
Later, at home he will do his chores, his homework and sleep a contented
lad.
He has time to innovate games and observe nature and become creative
with no fuss. Though his counterparts in towns maybe more informed about
subjects than him, they may be under pressure, whereas, he is more akin
to nature and will learn from it and be healthy.
In a world of rapid change, the concept of lifelong learning takes
place knowingly or unknowingly. It is creativity that keeps the learning
above the mundane.
The contemporary world we live in has national and local problems.
They are mostly environmental, rights of individuals, wise use of
technology, cultural and physical vandalism. To contend with such the
concept expressed in the words of the Chinese philosopher, Kuan Tsu of
the third century ring true.
'When planning for a year, sow corn.
When planning for a decade, plant trees.
When planning for a lifetime, train and educate men'.
Thus, it is seen that countries that have a good education system
where creativity enhances the learning, develop an environment for
strong leadership, good quality of life and economic success. Such a
state in the nation's schools and educational support predicts the well
being of the country.
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