Creative clan of state bureaucrats
by Kalakeerthi Edwin Ariyadasa
Nothing in the universe
could be more unlike a London street than the bund of the tank in
Anuradhapura. Everything shines and glitters in the fierce sunshine, the
great sheet of water, the butterflies, the bodies of people bathing in
the water or beating their washing upon the stones, their brightly
coloured cloths. Along the bund grow immense trees through which you can
see from time to time the flitting of a brightly coloured bird, and
everywhere all round the tank wherever you look are shrubs, flowers,
bushes and trees, tree after tree after tree”.
-
Leonard Woolf in ‘Growing’
Ceylon Civil Service (1902 – 1912)
Though it may sound strange, the stark truth is that the State
Bureaucracy of Sri Lanka pre-dates the British colonial era by 15 years.
The pioneering British civil servant, who initially joined the imperial
administrative set-up in Sri Lanka, was John D'oyly. This was way back
in 1801. Considered this way, the state bureaucracy of Sri Lanka, is 211
years old today.
The history of these two colourful centuries of state bureaucracy
presents a rich mother-code of treasures to anyone, who possesses the
daring and the unshaken will to mine it assiduously.
Two diligent administrative officers – Mangala Karunatilaka and
Harshani Amaratunga have jointly faced the demanding task of selecting
an admirable galaxy of state bureaucrats – both past and present – whose
distinct asset is the contribution they have made to the field of
creativity – over and above the performance of due and exacting
administrative services.
Their work on The creative efforts of the members of the 200-year-old
Sri Lankan bureaucracy is titled “The assets of two hundred years-one.”
The book is in two sections: 1) the sowing and 2) the golden harvest.
In the segment titled “the sowing”, cameo biographies of 14 British
civil servants are accommodated. In a generic classification, I feel
tempted to characterise them as “soul inheritors of Robert Knox”.
Exotic isle
They travel over (‘sail over’ in the early instances) to this exotic
isle, cherishing domineering dreams as behoves the self-appointed
bearers of the Brown man's Burden.
But the wisest and the most sophisticated among those British civil
servants were overwhelmed by the cultural grandeur and the exquisite
historic legacy of this ancient land.
Some of them in their unabashed serendipitous surprise interpreted
the gems of the host culture's creative tradition, in English. William
Charles MaCready translated a whole series of Sinhala classical poems
into English illuminating his versions with befitting exegetical
support.
The joint authors have featured him here. If an objective assessment
is made, the consensus of opinion will vehemently favour the identifying
of Leonard Sidney Woolf as the British civil servant, who paid the
greatest tribute to the Sri Lankan way of life, through his creative
efforts.
As a dutiful public servant he fulfilled his responsibilities to the
hilt. His affection for Sri Lanka assumed phenomenal proportions.
In his autobiographical writings he has emphatically effused about
his sentiments towards ‘Ceylon'.This is one of his assertions:
”The jungle and the people who lived in the Sinhalese jungle villages
fascinated, almost obsessed me in Ceylon. They continued to obsess me in
London in Putney or Bloomsbury and in Cambridge.
Indigenous administers
‘The village in the jungle’ was a novel in which I tried somehow or
other vicariously to live their lives”. Leonard Woolf's “Village in the
Jungle”, assumes a larger significance as a universally valid parable of
the decay of civilisations, avidly, greedily and avariciously man grabs
swaths of nature for his ephemeral structures. The ever-alert nature –
the waiting jungle, in this instance – asserts itself and brings of
under its tide and sway.
In the wake of Leonard Woolf and other British civil servants, the
local (indigenous) class of administers took over. Their creative
achievements are recorded in this work, in the segments categorised
under “The Golden Harvest”. The implication is, the path-finding British
civil servants did the sowing and their home garden successors harvested
the golden, bumper yield.
What leads to some the controversy, is the paucity of numbers in the
indigenous group. It is popularlary known that the state is the biggest
employer. Besides, the members who served as state level administrators
from 1801 on could easily exceed a million.
It is exactly a century since, Leonard Woolf left the Ceylon civil
service in 1912.
In such a context one cannot help but wonder why only 59 people have
been selected from among numerous indigenous officers in the Sri Lankan
Administrative service. The joint-authors have a very valid and highly
acceptable explanation. Others will be duly celebrated in the subsequent
parts of this book. The British civil servant – a white man from across
the oceans – received a popular deference bordering on veneration. But
the indigenous successors of those practical in a more egalitarian
social context. Nevertheless, these indigenous state bureaucrats, too
displayed a highly impressive creative dexterity.
To put it mildly the life of the average state bureaucrat is an
unending conjugation of ever-accumulating crises. Interviews, reports,
field-visits, ceremonies, enquiries and meeting deadlines occupy more
than the hours a clock allots. In the middle of the night, you are
awakened from your sleep by a development that needs your urgent,
personal attention. Over and above that in the imperial days, the state
bureaucracy was relentlessly assaulted by Administrative Regulations and
Financial Regulations. The state bureaucrat has to be creative as a form
of counterpoint to these quotidian frustrations.
Such state bureaucrats as Wimalaratna Kumaragama and Haputhanthirige
Leelananda Gunasekera – popularly known as Leel Gunasekera, pioneered
their creations to console themselves in the lonely remote posts they
were obliged to man.The book features 58 personalities from Wimalaratna
Kumaragama to P. Kanishka Sri Lal. Among them we have very well-known
creative administrators from a wide-variety backgrounds – fiction
writers, lyric composers, critics, actors, musicians, artists and film
personalities.
Women bureaucrats
Several women bureaucrats are accommodated here. Outstandingly among
them are Jayantha Rukmani Siriwardhana and Sumithra Rahubadda. Minister
Sarath Leelananda Bandara Amunugama enters the publication exhibiting a
gamut of creative achievements. It is essential to single out an
exceptional state bureaucrat, who stands out for a number of
unassailable reasons. He is the oldest living ex-state bureaucrat R.D.K.
Jayewardene.
His creativity traverses along many paths and avenues. His interests
are multifarious.
He is a practising artist, creates award winning poetry and fiction.
He acquired a name as producer of modernistic plays. In his 91st year
this ultra-talented bureaucrat is deeply and profoundly concerned with
the pageant of life. Though illness has partly restricted his movements,
his creativity asserts itself unceasingly.
The book by these two authors, is only a beginning. But, even within
its unavoidable limitations it celebrates the ever-alive creativity of
the state bureaucratic community. Some may be quizzical about those
missing personality though they are pre-eminently high-profile.
Thus, I am sure will be put right eventually. The work as it is
signifies the triumph of dedicated hard work.
Evoking a middle-eastern blessing can say: “May the tribe increase”.
The tribe of course is the creative state bureaucratic clan.
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