Clarity, the essence of communication
We learn so many subjects in our lifetime and try to disseminate our
knowledge either orally or in writing. It is questionable whether we
have succeeded in speaking to the point or writing clearly. When
communication fails, it leads to numerous problems. When an Act of
Parliament is ambiguous, it is referred to the Supreme Court for
interpretation.
The fault lies not in the Parliament, but in the legal draughtsman.
Even in educational institutions, most students are not trained to write
to the point. This has led to a generation of speakers and writers who
produce gobbledegook.
To maintain clarity, there should be a sequence in what we speak or
write. When ideas are not fitted together, the final product becomes
meaningless. The communicator has to address the mind of the reader or
the listener when he uses words. Most of us tend to use high-sounding
words to impress the reader or the listener. Unfortunately, they are not
bothered to pass judgements on the communicator’s vocabulary. They
simply want to understand what the communicator says.
Circumlocution
The time spent on the telephone can be halved if callers know how to
speak to the point without circumlocution. Many callers want to know how
we are getting on the state of the weather. They ask the most important
question or pass the vital information after such preliminaries.

Harold Ross: “What the hell do you mean?” |
Some writers follow the same practice. The first paragraph of an
article or a chapter in a book has nothing to do with the main topic.
Such an attitude contributes nothing to a conversation or a piece of
writing. For instance, many students fail examinations because they do
not know how to write to the point.
Once a caller phoned the editor of a newspaper, “You see, I have
written a very interesting book. I think it will be a best-seller. Is it
true that you have a book review page? You know some reviewers will not
appreciate what I’ve written...” The editor did not lose his cool
although he had to write catchy headlines and follow deadlines. The
caller could have simply said he was sending a book for review.
Frustration
There is no logical reason why we should spend 300 words when we can
convey the same message in 30 words. Norman Cousins said, “...recent
medical research indicates that a wide variety of maladies, including
rheumatoid arthritis and adrenal exhaustion, are sometimes directly
related to the intense frustration and restlessness a man suffers when
subjected to mindless and predatory assaults on his time by people who
don’t know how to come to the point.”
Sometimes people refuse to accept change. For instance, once a caller
asked a columnist why he was writing “on the bus” and “on the train”
instead of “in the bus” and “in the train”. The columnist explained that
in modern English, “on the bus” and “on the train” are standard
expressions in British English. Before asking such silly questions, the
caller could have referred to the Cambridge Advanced Learner’s
Dictionary.
Correspondence
Newspaper editors are inundated with feature articles rambling into
2,500 to 3,000 words. Such articles have to be pruned and edited before
publication. Dr Albert Schweitzer, at the age of 84, spent most of his
time struggling with his correspondence. Once he said, “My
correspondence is killing me. Most of the time, I don’t really know what
my letters are trying to tell me. They wander so, ach!”
If our education system cannot produce clear thinkers, who else can
do it? It is unreasonable to waste a man’s time by producing material
that no one can understand.
Although Mass Communication is taught at some universities, the
students are not trained to communicate clearly. Producing clear
thinkers can be painstaking because it requires time and proper
planning. Another drawback is that today’s students are running a rat
race and under pressure. They probably will not bother to practise clear
writing and speech.
In written communication, no better advice can be offered than to
quote the favourite six-word question of Harold Ross, the late editor of
the New Yorker. He said, “What the hell do you mean?” Under his
editorship, the New Yorker became a model of clear, effective writing.
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